Shakespearean CriticismMichelle Lee Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
From inside the book
Results 1-3 of 86
Page 65
... true to himself in what we may call the play - within - the - play , when one disguise annihilates another , when he stops faking wan- tonness and when , projecting himself forward into the part of the king with which he will soon be ...
... true to himself in what we may call the play - within - the - play , when one disguise annihilates another , when he stops faking wan- tonness and when , projecting himself forward into the part of the king with which he will soon be ...
Page 85
... true three scenes later , when Cleopatra does indeed kill herself for Antony . The messenger who tells Cleopatra of ... true , it is not the whole truth . Suggestions of this flexibility of truth permeate the play : Who tells me true ...
... true three scenes later , when Cleopatra does indeed kill herself for Antony . The messenger who tells Cleopatra of ... true , it is not the whole truth . Suggestions of this flexibility of truth permeate the play : Who tells me true ...
Page 231
... true heir and true possessor of the grace of kingship . After Guiderius has " sent Cloten's clotpoll down the stream " and has discovered his brother with the " dead " Fidele , he is reminded by Belarius that " reverence . . . doth make ...
... true heir and true possessor of the grace of kingship . After Guiderius has " sent Cloten's clotpoll down the stream " and has discovered his brother with the " dead " Fidele , he is reminded by Belarius that " reverence . . . doth make ...
Contents
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Copyright | |
3 other sections not shown
Other editions - View all
Common terms and phrases
action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York