Shakespearean CriticismMichelle Lee Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 58
... tion and fall of Othello in III , iii ; considered in the context especially of the famous last utterance of Othello that he is one " not easily jealous " . Act III scene iii is 483 lines in length , and in the course of its ...
... tion and fall of Othello in III , iii ; considered in the context especially of the famous last utterance of Othello that he is one " not easily jealous " . Act III scene iii is 483 lines in length , and in the course of its ...
Page 155
... tion that the leaders ' expedient alliance out of fear of Pompey is " noble , " and should be grounds for a permanent accord . And he registers his dissent by divagating into the comic low style : " Or if you bor- row one another's love ...
... tion that the leaders ' expedient alliance out of fear of Pompey is " noble , " and should be grounds for a permanent accord . And he registers his dissent by divagating into the comic low style : " Or if you bor- row one another's love ...
Page 195
... tion " ( 2.6.120 ) , exemplified by Octavia . Yet when it comes to Cleopatra , Roman desire is seemingly un- containable . She is the object of a lingering fascina- tion that has ensnared Julius Caesar , Gnaeus Pompey , and Mark Antony ...
... tion " ( 2.6.120 ) , exemplified by Octavia . Yet when it comes to Cleopatra , Roman desire is seemingly un- containable . She is the object of a lingering fascina- tion that has ensnared Julius Caesar , Gnaeus Pompey , and Mark Antony ...
Contents
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Copyright | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York