Shakespearean CriticismMichelle Lee Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 11
... tells him the truth : By her , that else will take the thing she begs , A little to disquantity your train ; And the remainders , that shall still depend , To be such men as may besort your age , Which know themselves , and you . ( I ...
... tells him the truth : By her , that else will take the thing she begs , A little to disquantity your train ; And the remainders , that shall still depend , To be such men as may besort your age , Which know themselves , and you . ( I ...
Page 28
... tells Archidamus that affection so " rooted " between the two kings in childhood could not " choose but branch . " Their exchanges while apart had been so lavish that they had " embrac'd as it were from the ends of oppos'd winds " ( 1.1 ...
... tells Archidamus that affection so " rooted " between the two kings in childhood could not " choose but branch . " Their exchanges while apart had been so lavish that they had " embrac'd as it were from the ends of oppos'd winds " ( 1.1 ...
Page 282
... tells her that she must die . She asks " wherein I have offended thee , and why thou must kill me ? " ; he explains , " Alas good Mistresse . . . you have not any way offended me , but in what occasion you have displeased your Husband ...
... tells her that she must die . She asks " wherein I have offended thee , and why thou must kill me ? " ; he explains , " Alas good Mistresse . . . you have not any way offended me , but in what occasion you have displeased your Husband ...
Contents
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Copyright | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York