Shakespearean CriticismMichelle Lee Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
From inside the book
Results 1-3 of 80
Page 181
... sexual and the bestial . He further endows her with the power to reduce the Ro- mans to the sexual and the bestial in a scenario in which she transforms the classic , organized field of battle into a grotesque , chaotic field of ...
... sexual and the bestial . He further endows her with the power to reduce the Ro- mans to the sexual and the bestial in a scenario in which she transforms the classic , organized field of battle into a grotesque , chaotic field of ...
Page 249
... sexual appeal of the play - boy by underscoring the character's physical frailty , a quality that would not become sexually alluring until the romantic age.14 Imogen's vulnerability as Fidele is also reinforced by dramatic irony on the ...
... sexual appeal of the play - boy by underscoring the character's physical frailty , a quality that would not become sexually alluring until the romantic age.14 Imogen's vulnerability as Fidele is also reinforced by dramatic irony on the ...
Page 444
... sexual ambiguity and sexual deception As You Like It 46 : 134 , 142 Twelfth Night 1 : 540 , 562 , 620 , 621 , 639 , 645 ; 22 : 69 ; 34 : 311 , 344 ; 37 : 59 ; 42 : 32 Troilus and Cressida 43 : 365 sexual anxiety Macbeth 16 : 328 ; 20 : 283 ...
... sexual ambiguity and sexual deception As You Like It 46 : 134 , 142 Twelfth Night 1 : 540 , 562 , 620 , 621 , 639 , 645 ; 22 : 69 ; 34 : 311 , 344 ; 37 : 59 ; 42 : 32 Troilus and Cressida 43 : 365 sexual anxiety Macbeth 16 : 328 ; 20 : 283 ...
Contents
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Copyright | |
3 other sections not shown
Other editions - View all
Common terms and phrases
action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York