Shakespearean CriticismMichelle Lee Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
From inside the book
Results 1-3 of 78
Page 52
... calls it , as explanation , listing analogues in Shakespeare and other play - wrights of the fall of a " blameless hero " , and concluding that " proof or probability is not required " . I do not believe that this is a sufficient answer ...
... calls it , as explanation , listing analogues in Shakespeare and other play - wrights of the fall of a " blameless hero " , and concluding that " proof or probability is not required " . I do not believe that this is a sufficient answer ...
Page 176
... calls Orientalism . Orientalism is to culture as Petrarchism and Ovidianism are to gender . All three are construc- tions of colonized or sexual others by imperialistic or patriarchal dominant ideologies . All three Roman con ...
... calls Orientalism . Orientalism is to culture as Petrarchism and Ovidianism are to gender . All three are construc- tions of colonized or sexual others by imperialistic or patriarchal dominant ideologies . All three Roman con ...
Page 298
... calls upon demonic power to assist her in the unhesitating execution of the intended murder ; Othello swears to lago that he shall visit a horrifying punish- ment upon Desdemona ; and Coriolanus binds himself by an oath to plead like a ...
... calls upon demonic power to assist her in the unhesitating execution of the intended murder ; Othello swears to lago that he shall visit a horrifying punish- ment upon Desdemona ; and Coriolanus binds himself by an oath to plead like a ...
Contents
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Copyright | |
3 other sections not shown
Other editions - View all
Common terms and phrases
action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York