Shakespearean CriticismMichelle Lee Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 26
... believe that women betray them further affirms their need for betrayal . When a moment comes that the men might realize that the contrary is true and the women they suspect are faithful , they insist on their falseness . After Othello ...
... believe that women betray them further affirms their need for betrayal . When a moment comes that the men might realize that the contrary is true and the women they suspect are faithful , they insist on their falseness . After Othello ...
Page 91
... believe Antony to be perfectly sincere in his protestations to Octavia : Laurens J. Mills ( The Tragedies of Shakespeare's Antony and Cleopatra [ Bloomington , Ind . , 1964 ] , p . 18 ) and Schanzer ( p . 145 ) are here in agreement ...
... believe Antony to be perfectly sincere in his protestations to Octavia : Laurens J. Mills ( The Tragedies of Shakespeare's Antony and Cleopatra [ Bloomington , Ind . , 1964 ] , p . 18 ) and Schanzer ( p . 145 ) are here in agreement ...
Page 244
... believe despite all cautions to doubt , running the risk of being deceived by a play which is after all merely a fiction . The doubters , on the other hand , face as their final doubt the possibility that it is their re- fusal to believe ...
... believe despite all cautions to doubt , running the risk of being deceived by a play which is after all merely a fiction . The doubters , on the other hand , face as their final doubt the possibility that it is their re- fusal to believe ...
Contents
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Copyright | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York