Shakespearean CriticismMichelle Lee Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 63
... appears to choose it , it is as part of the role which he has assigned to himself , that of the dishonourable Prodigal who reforms in order to fol- low the path of honour . Honour is a cardinal virtue expected of the sovereign ...
... appears to choose it , it is as part of the role which he has assigned to himself , that of the dishonourable Prodigal who reforms in order to fol- low the path of honour . Honour is a cardinal virtue expected of the sovereign ...
Page 83
... appears in act 2 , scene 2 , he has been absent for three scenes during which Caesar , Cleopatra , and Pompey have in their speculations created three distinct Antonys , each to their heart's desire . Which Antony do we know ? We never ...
... appears in act 2 , scene 2 , he has been absent for three scenes during which Caesar , Cleopatra , and Pompey have in their speculations created three distinct Antonys , each to their heart's desire . Which Antony do we know ? We never ...
Page 374
... appears on 1 : 170 . 35 Cited by Baskervill , 23 ; John Playford , Playford's English Dancing Master , 1651 , A Facsimile Reprint with an Introduction , Bibliography , and Notes , ed . Margaret Dean - Smith ( London : Schott and Co ...
... appears on 1 : 170 . 35 Cited by Baskervill , 23 ; John Playford , Playford's English Dancing Master , 1651 , A Facsimile Reprint with an Introduction , Bibliography , and Notes , ed . Margaret Dean - Smith ( London : Schott and Co ...
Contents
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Copyright | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York