Shakespearean CriticismMichelle Lee Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 6
... Hal's victories at Gadshill and Shrewsbury , his capacity to move with ease be- tween the Percy sphere of high history and the Falstaff sphere of high jinks , between the blank verse of the one and the colorful prose of the other , that ...
... Hal's victories at Gadshill and Shrewsbury , his capacity to move with ease be- tween the Percy sphere of high history and the Falstaff sphere of high jinks , between the blank verse of the one and the colorful prose of the other , that ...
Page 62
... Hal's transfor- mation from rioter to dutiful prince which takes place without a trace of inner conflict . Unless we accept that his interview with his father suddenly awakens his sense of duty ( in which case his complete turn - about ...
... Hal's transfor- mation from rioter to dutiful prince which takes place without a trace of inner conflict . Unless we accept that his interview with his father suddenly awakens his sense of duty ( in which case his complete turn - about ...
Page 66
... Hal's strategy of reformation . Just as Hal needs Falstaff as a loose companion , so he needs Hotspur as his ' factor ' . In their different ways , both are necessary foils to enhance his supposed redemp- tion . These two also have in ...
... Hal's strategy of reformation . Just as Hal needs Falstaff as a loose companion , so he needs Hotspur as his ' factor ' . In their different ways , both are necessary foils to enhance his supposed redemp- tion . These two also have in ...
Contents
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Copyright | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York