Its

met for inexpensive amusement, and succeeded in amusing themselves with a dignity, a simplicity, and a politeness that could not possibly be achieved in any provincial town in England, were it five times the size of Aarhus. And why? Withal, Aarhus, I have to confess, was not much of a place for elegance. women failed, and the appearance of the women is the true test of a civilization. So far in our Danish experience the women of Esbjerg stood unrivaled. The ladies of Aarhus, even the leading ladies gathered together in the Royal Hotel, lacked style and beauty. Many of them had had the sense to retain the national short sleeve against the ruling of fashion, but they did not arrive at an effect of individuality. They were neither one thing nor the other. Their faces showed kindness, efficiency, constancy, perhaps all the virtues; but they could not capture the stranger's interest.

There was more style at Helsingör (Elsinore), a town much smaller than Aarhus, but probably enlivened by naval and military influences, by its close proximity to Sweden, with train-ferry communication therewith, and by its connection with Hamlet and Shakspere. The night ferries keep the town unduly awake, but they energize it. Till a late hour the

The

station and the quay are busy with dim figures of chattering youth in pale costumes, and the departure of the glittering train-laden ferry to a foreign country two miles off is a romantic spectacle. churches of Helsingör have an architectural interest, and its fruit shops display exotic fruits at high prices. Officers flit to and fro on bicycles. Generals get out of a closed cab at the railway-station, and they bear a furled standard, and vanish importantly with it into the arcana of the station. The newspapers of many countries are for sale at the kiosk. The harbor-master is a great man, and a suave.

The pride of Helsingör is the Kronborg Castle, within sight of the town and most grandiosely overlooking sea and land. Feudal castles are often well placed, but one seldom sees a renaissance building of such heroic proportions in such a dramatically conceived situation. The castle is of course used chiefly as a barracks. On entering the enormous precincts, we saw through a window a private sitting on a chair on a table, in fatigue uniform, playing mildly a flageolet, and by his side on the table another private in fatigue uniform, with a boot in one hand, doing nothing whatever. And from these two figures, from the whitewashed bareness of the chamber, and from the flageolet, was

EMIGRANT GIRLS WRITING POSTAL CARDS HOME

exhaled all the monstrous melancholy of barrack-life, the same throughout the world.

Part of the castle is set aside as a museum, wherein, under the direction of a guide, one is permitted to see a collection of pictures the surpassing ugliness of which nearly renders them interesting. The guide points through a window in the wall ten feet thick to a little plot of turf. "Where Hamlet walked." No historical authority is offered to the visitor for this statement. The guide then leads one through a series of large rooms, empty save for an occasional arm-chair, to the true heart of the Kronborg, where he dis.played to us a seated statue of Mr. Hall Caine, tinted an extremely unpleasant bluish-white. An inscription told that it had been presented to Kronborg by a committee of Englishmen a few years earlier to mark some anniversary. The guide said it was a statue of Shakspere. I could not believe him.

A DAY'S SAIL

ALTHOUGH there is a lively pleasure in discovering even the dullest and smallest towns and villages, the finest experience

offered by the Baltic is the savor of the Baltic itself in a long day's sail. I mean a day of fourteen hours at least, from six in the morning till eight at night, through varied seascapes and landscapes and varied weather. As soon as the yacht leaves harbor in the bracing chill of sunrise she becomes a distinct entity, independent, selfreliant. The half-dozen men on her, cut off from the world, are closely knitted into a new companionship, the sense of which is expressed not in words, but by the subtleties of tone and mien; and if only one among them falls short of absolute loyalty and good-will toward the rest, the republic is a failure, and the air of ocean poisoned. The dictum of an older and far more practised yachtsman than myself used always to be, "I'll have no man aboard my ship who can't smile all the time." It is a good saying. And it could be applied to my yacht in the Baltic. We had days at sea in the Baltic which were ideal and thrilling from one end to the other.

To make a final study of the chart in the cabin while waiting for breakfast is a thrilling act. You choose a name on the chart, and decide: "We will go to that name." It is a name. It is not yet a town or a village. It is just what you imagine. it to be until you first sight it, when it instantly falsifies every fancy. The course is settled. The ship is on that course. The landmarks will suffice for an hour or two, but the sea-marks must be deciphered on the chart, which is an English chart, and hence inferior in fullness and clearness to either French or Dutch charts. Strange, this, for a nation preeminently maritime! To compensate, the English "Sailing Directions"-for example, the "Pilot's Guide to the Baltic"- -are so admirably written that it is a pleasure to read them. Lucid, succinct, elegant, they might serve as models to a novelist. And they are anonymous.

To pick up the first buoy is thrilling. We are all equally ignorant of these waters; the skipper himself has not previously sailed them, and we are all, save the cook, engulfed below amid swaying saucepans, on the lookout for that buoy. It ought to be visible at certain hour, but it is not. The skipper points with his hand and says the buoy must be about there, but it is not. He looks through my glasses, and I

look through his; no result. Then the deck-hand, without glasses, cries grinning that he has located her. After a quarter of an hour I can see the thing myself. That a buoy? It is naught but a pole with a slightly swollen head. Absurd to call it a buoy! Nevertheless, we are relieved, and in a superior manner we reconcile ourselves to the Baltic idiosyncrasy of employing broom-handles for buoys. The reason for this dangerous idiosyncrasy neither the skipper nor anybody else could divine. Presently we have the broom close abeam, a bobbing stick all alone in the immense wilderness of water. There it is on the chart, and there it is in the water, a romantic miracle. We assuage its solitude for a few minutes, and then abandon it to loneliness.

We resume the study of the chart; for although we are quite sure of our course, the skipper can never be sure enough. My attention is drawn to a foot-note that explains the ice-signals of the Baltic. And the skipper sets to telling tales of terror about the ice, in the Zuyder Zee and other seas. He tells how the ice forms under the ship surreptitiously, coming up from the bottom like treacle. You say, "It's freezing to-night," and the next morning the ship can't move; and you may die of starvation, for though the ice will hold the ship, it won't hold you. The skipper knew men who could remember ice in the Zuyder Zee in June. He himself had once oscillated for a whole week between two ports on the Zuyder Zee, visible to each other, pushed hither and thither by the ice, and unable to get anywhere at all. But ice was less terrible than it used to be, owing to the increased strength and efficiency of ice-breakers. And climate was less rigorous. Thus the skipper would reassure us for a moment, only to intimidate us afresh. For it seems that the ice has a way of climbing; it will climb up over everything, and inclose a ship. Indeed, he was most impressive on the subject of ice. He said that the twin horrors of the sea were ice and fog. But of fog he told no tales, being occupied with the forward valve of the engine.

We perceived that yachtsmen who go out when it happens to suit them, between May and September only, can never achieve intimacy with the entire individuality of the

sea.

The weather has now cleared for a while. The sun is hot, the saloon skylight warm to the touch. You throw off a jersey.

The tumbling water is a scale of deep blues, splendid against the brass of the bollard and the reddishness of the spars. The engine is running without a "knock"; the sails are nicely filled; the patent log is twirling aft. A small rainbow shines steadily in the foam thrown up from the bows, and a great rainbow stretches across all heaven, with its own ghost parallel to it. Among the large, soft clouds rags of dark cloud are uneasily floating. On the flat shores of near islands the same cereals ripen that ripen at home. And this is thrilling. Distant islands are miraged. Even a distant battleship seems to be lifted clean out of the water by the so-called mirage.

us.

And then a trading-schooner, small, but much larger than us, relentlessly overhauls She laughs at the efforts of our engine to aid our sails, and forges ahead, all slanting, with her dinghy slung up tight aft, over her rudder. And then it is the still small voice of the stomach that speaks. Hunger and repletion follow each other very swiftly on such days. The afterbreakfast cigar is scarcely finished before a genuine curiosity as to the menu of lunch comes to birth within. We glance

into the saloon. Yes, the white cloth is laid, but we cannot eat cloth. The cook and the chronometer are conspiring together against us.

In the afternoon the weather is thick and squally. And we are creeping between sad and forlorn veiled islands that seem to exude all the melancholy of the seas. There is plenty of water, but only in a deceiving horizontal sense. The channel is almost as narrow and as tortuous as a Devonshire lane. English charts are criminally preposterous, and so are Danish brooms. Hardly can one distinguish between a starboard and a port broom. Is the life of a yacht to depend on such negligent devices? The skipper is worried. And the spectacle of a ship aground in mid-sea does not tranquilize. Sometimes the hail wipes out for a few seconds the whole prospect. The eyes of everybody are strained with looking for distant brooms.

Then we are free of the archipelago, and also the sky clears. The sun, turning orange, is behind us, and the wind in our teeth. Ahead is a schooner, beating. And she is the schooner of the morning. Our engine now has the better of her. As we overtake her, she runs away on one tack, and comes back on the next. She bears down on our stern, huge, black, glittering. A man and a boy are all her crew. This man and this boy are entitled to be called mariners, as distinguished from yachtsmen. We can see their faces

plainly as they gaze down at us from their high deck. And you may see just the same faces on the liners that carry emigrants from Denmark to the west, and the same limbs sprawling on the decks of the Esbjerg steamers, as the same hands scrawl Danish characters on picture postal cards to the inhabitants of these very islands.

The sea is now purple, and the schooner a little black blot on the red panorama of the sunset; and ahead, amid faint yellow and green fields, is a white speck, together with sundry red specks and blue specks. The name on the chart! And then the haven is descried, and a ring of masts with fluttering rags. And then the lighthouse and the roofs detach themselves, and the actual mouth of the haven appears. Twilight falls; the engine is moderated; the deck-hand stands by with a pole. Very slowly we slide in, and the multitudinous bright tints of the fishing-smacks are startlingly gay even in the dusk. The skipper glances rapidly about him, and yells out in Dutch to a fisherman, who replies in Danish. The skipper shakes his head, at a loss, and gives an order to the deck-hand. The deck-hand claws with a pole at a yellow smack. We have ceased to be independent. The name on the chart is a name no longer. It is a living burg, a poor little place, good enough to sleep in, and no more. But another stage on the journey to that magic capital Copenhagen.

I

KNOW a bower sweet and shy
Where glooms a stream

Beneath cool films of leaf and sky
Where river-lilies lie and dream;
Where very quietly

Small birds make melody;

And every breeze on tiptoe comes and goes To that dim bower that no one knowsMy bower of peace that no one knows!

I know a heart unwisely dear
Where blooms a joy

That never doubt may venture near
Nor any barren fear destroy;
That poureth over me
Child-sweetness wondrously,

And unto me doth eagerly disclose
That gentle heart that no one knows—
Dear heart of peace that no one knows!