LUNA: AN ODE. THE South wind hath its balm, the sea its cheer, And autumn woods their bright and myriad hues; Thine is a joy that love and faith endear, And awe subdues: The wave-toss'd seamen and the harvest crew, When on their golden sheaves the quivering dew Hangs like pure tears-all fear beguile, In glancing from their task to thy maternal smile! The mist of hilltops undulating wreathes, At thy enchanting touch, a magic woof, And curling incense fainter odour breathes, And in transparent clouds hangs round the vaulted Huge icebergs, with their crystal spires [roof. Slow heaving from the northern main, Like frozen monuments of high desires Destin'd to melt in nothingness again Float in thy mystic beams, As piles aerial down the tide of dreams! With thy mild presence on the ruin'd fane, Columns time-stain'd, dim frieze, and ivied walls, As if a fond delight thou didst attain To mingle with the Past, And o'er her trophies lone a holy mantle cast! Thy beams a moment rest, And then in sparkling mirth dissolve away; Through forest boughs, amid the wither'd leaves, Thy light a tracery weaves, And on the mossy clumps its rays fantastic play. What reverent joy to pace the temple floor, O'er statue, tomb, and arch, its solemn radiance pour! The untamed waters in their ebb and flow, The maniac raves beneath thy pallid ray, And poet's visions glow. Madonna of the stars! through the cold prison-grate Thou stealest, like a nun on mercy bent, [spent! To cheer the desolate, And nations deem'd thee arbitress of Fate, A lofty peace is thine!-the tides of life Flow gently when thy soothing orb appears, And Passion's fever'd strife [spheres! From thy chaste glow imbibes the calmness of the O twilight glory! that doth ne'er awake Exhausting joy, but evenly and fond Allays the immortal thirst it cannot slake, And heals the chafing of the work-day bond; Give me thy patient spell!-to bear With an unclouded brow the secret pain (That floods my soul as thy pale beams the air) Of hopes that Reason quells, for Love to wake again! TASSO TO LEONORA. IF to love solitude because my heart May undisturbed upon thy image dwell, And in the world to bear a cheerful part To hide the fond thoughts that its pulses swell; If to recall with credulous delight Affection's faintest semblances in thee, To feel thy breath upon my cheek at night, And start in anguish that it may not be; If in thy presence ceaselessly to know Delicious peace, a feeling as of wings, Content divine within my bosom glow, A noble scorn of all unworthy thingsThe quiet bliss that fills one's natal air, When once again it fans the wanderer's brow, The conscious spirit of the good and fairThe wish to be forever such as now; If in thy absence still to feel thee nigh, Or with impatient longings waste the day, If to be haunted by thy love-lit eyeIf for thy good devotedly to pray; And chiefly sorrow that but half reveal'd Can be the tenderness that in me lies, That holiest pleasure must be all conceal'dShrinking from heartless scoff or base surmise; If, as my being's crowning grace, to bless The hour we recognised each other's truth, And with calm joy unto my soul confess That thou hast realized the dreams of youthMy spirit's mate, long cherish'd, though unknown, Friend of my heart bestow'd on me by GoD, At whose approach all visions else have flown From the vain path which I so long have trod; If from thy sweet caress to bear new life As one possess'd by a celestial spell, That armeth me against all outward strife, And ever breathes the watchword-all is well ; If with glad firmness, casting doubt aside, To bare my heart to thee without disguise, Feeling that life vouchsafes no dearer prize; FROM THE SPIRIT OF POETRY. THE LAW OF BEAUTY. READ the great law in Beauty's cheering reign, Blent with all ends through matter's wide domain; She breathes Hope's language, and with boundless [change, range Sublimes all forms, smiles through each subtle And with insensate elements combined Ordains their constant ministry to mind. The breeze awoke to waft the feather'd seed, And the cloud-fountains with their dew to feed, Upon its many errands might have flown, COLUMBUS. HEROIC guide! whose wings are never furl'd, By thee Spain's voyager sought another world; What but poetic impulse could sustain That dauntless pilgrim on the dreary main? Day after day his mariners protest, And gaze with dread along the pathless west; Beyond that realm of waves, untrack'd before, Thy fairy pencil traced the promised shore, Through weary storms and faction's fiercer rage, The scoffs of ingrates and the chills of age, Thy voice renewed his earnestness of aim, And whisper'd pledges of eternal fame; Thy cheering smile atoned for fortune's frown, And made his fetters garlands of renown. FLORENCE. PRINCES, when softened in thy sweet embrace, Yearn for no conquest but the realm of grace, And thus redeemed, Lorenzo's fair domain Smiled in the light of Art's propitious reign. Delightful Florence! though the northern gale Will sometimes rave around thy lovely vale, Can I forget how softly Autumn threw Beneath thy skies her robes of ruddy hue, Through what long days of balminess and peace, From wintry bonds spring won thy mild release? Along the Arno then I loved to pass, And watch the violets peeping from the grass, Mark the gray kine each chestnut grove between, Startle the pheasants on the lawny green, Or down long vistas hail the mountain snow, POETRY IMMORTAL. FOR fame life's meaner records vainly strive, Some pensive hero, musing o'er the deep, 2Q2 HENRY B. HIRST. [Born, 1817.] MR. HIRST was born in Philadelphia, on the twenty third day of August, 1817. His father, THOMAS HIRST, was a reputable merchant of that city, and held in high respect. When only eight years old he entered the law office of his brother, WILLIAM L. HIRST, Esq., and at the age of eighteen he was registered as a student. His professional studies were now interrupted for a long period, and he engaged in mercantile pursuits, but at the age of twenty-five he made his application for admission, and graduated with the highest honors in the early part of 1843, and is now in successful practice at the Philadelphia Bar. Mr. HIRST's first attempts at poetry, he informs me, were in his twenty-first or twenty-second year, about which time he became a contributor to Graham's Magazine. His poems were very successful and extensively copied. In 1845 he published in Boston his first volume, "The Coming of the Mammoth, the Funeral of Time, and other Poems," a book which certainly received all the praises to which it was entitled. It was not without graceful fancies, but its most striking characteristics were a clumsy extravagance of invention, and a vein of sentiment neither healthful nor poetical. It had the merit, however, of musical though somewhat mechanical versification, and its reception was such as to encourage the author to new and more ambitious efforts. In the summer of 1848 he published "Endymion, a Tale of Greece," an epic poem, in four cantos. It was a long-meditated and carefully elaborated production, some parts of which had been kept the full Horatian period. It may be regarded, therefore, as an exhibition of his best abilities. He evinced a certain boldness in subjecting himself to a comparison with KEATS, whose fine fancies, woven about it, will share the immortality of the Grecian fable. In the finish and musical flow of his rhythm, and in the distinctness and just proportion with which he has told his story, he has equalled KEATS: but in nothing else. With passages of graphic and beautiful description, and a happy clearness in narrative, the best praise of Mr. HIRST's performance is, that it is a fine piece of poetical rhetoric. There is not much thought in the poem, and where there is any that arrests attention, it whispers of familiar readings. The fault of the book is the want of a poetical del icacy of feeling; it is not classical; it is not beautiful; it is merely sensual; there is none of the diviner odour of poetry about it. Mr. HIRST'S "chaste Diana" is a strumpet. The metre, though inappropri ate, to such a poem, is unusual, and is managed by Mr. HIRST with singular skill. To illustrate his mastery of versification, and at the same time to present one of the most attractive passages of the poem, the following lines are quoted from the first canto: Through a deep dell with mossy hemlocks girded- Flung half in shadow-where the red deer herded- Mount Latmos lay before him. Gently gleaming, Shone on the azure field..... At last he gain'd the top, and, crown'd with splendour, His blood yet fever'd, for the fierce APOLLO Throughout the long, the hot, the tropic day, Beside the lake whose waves were glassily gleaming, Its feather'd, lance-like leaves were gently streaming And still the moon arose, serenely hovering, ENDYMION Watch'd her rise, his bosom burning By high aspirings; and a lofty yearning, Like her's, his track was tranquil: he had gather'd And so he grew a dreamer-one who, panting Above its fellows, fails, the struggle haunting In the summer of 1849 Mr. HIRST published in Boston a third volume, entitled "The Penance of Roland, a Romance of the Peiné Forte et Dure, and other Poems," from which the extracts in the next pages are copied. Its contents are all well versified, and their rhetoric is generally poetical. THE LAST TILT. Ar twilight, through the shadow, fled An ancient, war-worn knight, Array'd in steel, from head to heel, And on a steed of white; And, in the knight's despite, The horse pursued his flight: For the old man's cheek was pale, And his hands strove at the rein, With the clutch of phrensied pain; And his courser's streaming mane Swept, dishevell'd, on the gale. "Dong-dong!" And the sound of a bell Went wailing away over meadow and mere"SEVEN!" Counted aloud by the sentinel clock On the turret of Time; and the regular beat Of his echoing feet Fell, like lead, on the ear As he left the dead Hour on its desolate bier. The old knight heard the mystic clock; Of the knoll of the desolate kne'l. But each time with feebler force, To arrest the spectral horse In its mad, remorseless course, But, alas! he strove in vain. Dong-dong!" And the sound of a bell Went wailing away over meadow and mere"EIGHT!" Counted aloud by the sentinel clock On the turret of Time; and the regular beat Of his echoing feet Fell, like lead, on the ear As he left the dead Hour on its desolate bier. The steed was white, and gaunt, and grim, That burn'd with the lurid, livid glare While through the ebony gloom, alone, On the warrior-unamazedOn the steed whose eyeballs blazed With a lustre like his own. "Dong-dong!" And the sound of a bell Went wailing away over meadow and mere"NINE!" Counted aloud by the sentinel clock On the turret of Time; and the regular beat Fell, like lead, on the ear As he left the dead Hour on its desolate bier. Athwart a swart and shadowy moor While the old man, weak, forlorn, And wan, and travel-worn, Gazed, mad with deathly fear: For he dream'd it was the day, Though the dawn was far away, And he trembled with dismay In the desert, dark and drear! "Dong-dong!" And the sound of a bell Went wailing away over meadow and mere-"TEN!" Counted aloud by the sentinel clock On the turret of Time; and the regular beat Of his echoing feet Fell, like lead, on the ear As he left the dead Hour on its desolate bier. 66 A maiden knight, with lance and shield, And a tone of stern command, The ancient knight, with lance in hand, Rush'd, thundering, over the frozen land, And bade him "Stand, or die!" "Dong-dong!" And the sound of a bell Went wailing away over meadow and mere"ELEVEN!" Counted aloud by the sentinel clock On the turret of Time; and the regular beat Of his echoing feet Fell, like lead, on the ear As he left the dead Hour on its desolate bier. With his ashen lance in rest, Career'd the youthful knight, With a haughty heart, and an eagle eye, "Dong-dong!" And the sound of a bell Went wailing away over meadow and mcre“TWELVE!" Counted aloud by the sentinel clock On the turret of Time; and the regular beat Of his echoing feet Fell, like lead, on the ear As he left the dead Year on his desolate bier! BERENICE. I WOULD that I could lay me at thy feet, The radiant glory of a face Which, even in dreams, adorns the Italian skies Of passionate love-the Astarté of their space! This, in some quiet, column'd chamber, where All day, all day, dear love, would I lie there, By murmurous streams, We'd pause, entranced by Dian's amber light, Her faultless feet in lucid ripples, white Then to some tall old wood, beneath old trees, Fairer than those which jewell'd Grecian leas Treading the feather'd grasses, Our steps should falter, while the linnet's strain And as the gods who ruled all things we saw. Then giving way to mad imaginings Henceforth for earth; that even the rudest things THE LOST PLEIAD. Calmly the purple heavens reposed around her, Once on a day she lay in dreamy slumber; A form her fervid fancy deified; What words, what passionate words he breathed, beseeching, Have long been lost in the descending years; Nevertheless, she listen'd to his teaching, Smiling between her tears. And ever since that hour the happy maiden NO MORE. No MORE-no more! What vague, mysterious, Inexplicable terrors in the sound! What soul-disturbing secrecies abound In those sad syllables! and what delirious, Wild phantasies, what sorrowful and what serious Mysteries lie hid in them! No More-No More! Where is the silent and the solemn shore, Wash'd by what soundless seas, where all imperious He reigns? And over what his awful reign? Who questions, maddens! what is veil'd in shade, Let sleep in shadow. When No More was made, Eternity felt his deity on the wane, And Zeus rose shrieking, Saturn-like and hoar, Before that dread Prometheus-No MORE! ASTARTE. Tur lustre, heavenly star! shines ever on me. I, trembling like Endymion over-bent By dazzling Dian, when with wonderment He saw her crescent light the Latmian lea: And like a Naiad's sailing on the sea, Floats thy fair form before me the azure air Is all ambrosial with thy hyacinth hair: While round thy lips the moth in airy glee Hovers, and hums in dim and dizzy dreams, Drunken with odorous breath: thy argent eyes (Twin planets swimming through Love's lustrous skies) Are mirror'd in my heart's serenest streamsSuch eyes saw SHAKSPERE, flashing bold and bright, When queenly Egypt rode the Nile at night. |