Shakespearean CriticismDana Ramel Barnes Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 79
... response to the apparent betrayal of Sebastian . Sebastian's claim of being born within an hour of Viola first introduces simultaneity as a principle of closeness . Their separa- tion in the course of the play , first introduced by ...
... response to the apparent betrayal of Sebastian . Sebastian's claim of being born within an hour of Viola first introduces simultaneity as a principle of closeness . Their separa- tion in the course of the play , first introduced by ...
Page 253
... response to Ophelia : “ Frailty , thy name is woman " ( 1.2.146 ) . Hamlet does not at- tack Ophelia only because he is bitter at his mother , however . Ophelia returns his love - tokens , and he shows that this hurts him when he ...
... response to Ophelia : “ Frailty , thy name is woman " ( 1.2.146 ) . Hamlet does not at- tack Ophelia only because he is bitter at his mother , however . Ophelia returns his love - tokens , and he shows that this hurts him when he ...
Page 321
... response to the comedies , has been even more insistent in response to the last plays , where the significance of " harmony " appears to expand from the social into the supernatural realm , and where music on stage is heard as " music ...
... response to the comedies , has been even more insistent in response to the last plays , where the significance of " harmony " appears to expand from the social into the supernatural realm , and where music on stage is heard as " music ...
Contents
T G Bishop Compounding Errors | 12 |
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Copyright | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York