Shakespearean CriticismDana Ramel Barnes Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 19
... lines hunt temporal process back along a line of causally related points which has as its latest term the infliction of violence upon him . The tradi- tional vulnerability of the clown's body to attack is here the result of living at ...
... lines hunt temporal process back along a line of causally related points which has as its latest term the infliction of violence upon him . The tradi- tional vulnerability of the clown's body to attack is here the result of living at ...
Page 347
... line . The speaker goes on , in the seventh and eighth lines , to balance any offence he may have given by pro- claiming himself the worse sinner of the two , both for making too much of the trespass in the first place , and then for ...
... line . The speaker goes on , in the seventh and eighth lines , to balance any offence he may have given by pro- claiming himself the worse sinner of the two , both for making too much of the trespass in the first place , and then for ...
Page 355
... lines both contain the words ' love ' and ' conscience ' . To make any sense of them whatever requires a recognition that a different meaning applies to those words in each of the lines . ' Love ' in the opening line is Cupid , too ...
... lines both contain the words ' love ' and ' conscience ' . To make any sense of them whatever requires a recognition that a different meaning applies to those words in each of the lines . ' Love ' in the opening line is Cupid , too ...
Contents
T G Bishop Compounding Errors | 12 |
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Copyright | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York