Shakespearean CriticismDana Ramel Barnes Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 127
... give me thy hand , be not dismayed Only two little babes we leave behind us , And all I can bequeath them at this time Is but the love of some good honest friend Will . Why , well said , wife , i'faith thou cheerst my heart , Give me ...
... give me thy hand , be not dismayed Only two little babes we leave behind us , And all I can bequeath them at this time Is but the love of some good honest friend Will . Why , well said , wife , i'faith thou cheerst my heart , Give me ...
Page 129
... give best shadow to a private house " ( IV.iv.6-7 ) , and in his last meeting with his family he urges them : Ever retain thy virtuous modesty . Live all , and love together , and thereby You give your father a rich obsequy . ( V.iii ...
... give best shadow to a private house " ( IV.iv.6-7 ) , and in his last meeting with his family he urges them : Ever retain thy virtuous modesty . Live all , and love together , and thereby You give your father a rich obsequy . ( V.iii ...
Page 247
... give the impression that at least some of Hamlet's behavior is more mad than Foolish ; in the behavior we actually see , on the other hand , Hamlet is more Fool than madman . The most bizarre conduct the audience sees is in 4.2 and 4.3 ...
... give the impression that at least some of Hamlet's behavior is more mad than Foolish ; in the behavior we actually see , on the other hand , Hamlet is more Fool than madman . The most bizarre conduct the audience sees is in 4.2 and 4.3 ...
Contents
T G Bishop Compounding Errors | 12 |
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Copyright | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York