Shakespearean CriticismDana Ramel Barnes Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 45
... fact , by throwing in his lot with Orlando , stepped outside of the customary network of feudal relations ; his customary bond , after all , is to the heir Oliver , not to Orlando . Rather than reassert the stability of the regulated ...
... fact , by throwing in his lot with Orlando , stepped outside of the customary network of feudal relations ; his customary bond , after all , is to the heir Oliver , not to Orlando . Rather than reassert the stability of the regulated ...
Page 289
... fact about that sort of world of fatuous mutual flattery : no one is taken in , and as a result it's pos- sible , even probable , to feel that one has a real life elsewhere : for More it was in his solitary study , or his dreams of a ...
... fact about that sort of world of fatuous mutual flattery : no one is taken in , and as a result it's pos- sible , even probable , to feel that one has a real life elsewhere : for More it was in his solitary study , or his dreams of a ...
Page 290
... fact men break the bonds when- ever they like . " 31 Well , in fact they don't , as any in- habitant of a modern capitalist democracy well knows : those bonds are too far over our heads for any " when- ever we like " feeling of ...
... fact men break the bonds when- ever they like . " 31 Well , in fact they don't , as any in- habitant of a modern capitalist democracy well knows : those bonds are too far over our heads for any " when- ever we like " feeling of ...
Contents
T G Bishop Compounding Errors | 12 |
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Copyright | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York