Shakespearean CriticismDana Ramel Barnes Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
From inside the book
Results 1-3 of 85
Page 123
... course , to see where the idea of a generic opposition to women in the history plays has come from . There are few women characters in any of the best - known plays , and even fewer who exer- cise any kind of political power . Hotspur's ...
... course , to see where the idea of a generic opposition to women in the history plays has come from . There are few women characters in any of the best - known plays , and even fewer who exer- cise any kind of political power . Hotspur's ...
Page 322
... course not to valorize but to expose them , as part of a " strategy by which sovereign power might at once be praised and effaced as power in a colonialist dis- course . " 21 " Atmosphere " -dreamlike , magical , and thereby either ...
... course not to valorize but to expose them , as part of a " strategy by which sovereign power might at once be praised and effaced as power in a colonialist dis- course . " 21 " Atmosphere " -dreamlike , magical , and thereby either ...
Page 330
... course , the only author of his plays : some were clearly written in collaboration ; all become collaborative work in the course of theatri- cal production . In The Tempest , " Shakespeare's music " was mainly Robert Johnson's - not ...
... course , the only author of his plays : some were clearly written in collaboration ; all become collaborative work in the course of theatri- cal production . In The Tempest , " Shakespeare's music " was mainly Robert Johnson's - not ...
Contents
T G Bishop Compounding Errors | 12 |
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Martha A Kurtz Rethinking Gender and Genre in the History Play | 122 |
Copyright | |
16 other sections not shown
Other editions - View all
Common terms and phrases
Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York