Auctor Ludens: Essays on Play in LiteratureGerald Guinness, Andrew Hurley This is a book about play practice rather than play theory. Of course, practice presupposes theory, but here the editors choose to keep general theoretical assumptions under cover rather then force them into explicitness. The contributors to this volume were given free rein to discuss whatsoever aspect of literary play caught their fancy. The absence of a predetermined theoretical framework has resulted in an idiosyntractic volume on the different forms of play. |
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Page 1
... languages we might never understand, such as Hungarian. Nonetheless many lines lodged in our memories like burrs and there are probably to this day bank managers in Darlington or Dundee who have never read a poem since leaving school ...
... languages we might never understand, such as Hungarian. Nonetheless many lines lodged in our memories like burrs and there are probably to this day bank managers in Darlington or Dundee who have never read a poem since leaving school ...
Page 11
... language as reflecting the hidden relations between all existing beings. He had felt the lure of occultism, the wave of Rosicrucianism and Satanism and esoteric knowledge that had been gaining popularity throughout the century. And ...
... language as reflecting the hidden relations between all existing beings. He had felt the lure of occultism, the wave of Rosicrucianism and Satanism and esoteric knowledge that had been gaining popularity throughout the century. And ...
Page 58
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Page 72
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Contents
1 | |
9 | |
15 | |
15 | |
37 | |
Playing with Authorship | 63 |
InterLude | 91 |
PlayTranslations | 91 |
Literature as Game of Pleasure | 99 |
Literature and RolePlaying | 137 |
Literature as Existential Play | 171 |
PostLude | 191 |
LIST OF WORKS CITED | 195 |
NOTE ON CONTRIBUTORS | 199 |
INDEX | 200 |
The Games of Literature | 99 |
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Common terms and phrases
A.J. Smith Absalom Absolon action actors adult agonistic Alice Alice Liddell amorous agon argument attitude Auctor Ludens audience Barth Beckett becomes Borges Brecht Caillois called Carey century characters comic consciousness Coy Mistress critical death despair devil Donne's drama Eliot English erotic essay Estragon fact Falstaff feel fiction final flyting Gravity's Rainbow hagiographic Homo Ludens Huizinga human Ibarra imagination John Donne Kolve language learning Leavis Lehrstueck literary literature liturgical drama look Lottery in Babylon ludic ludus meaning medieval metaphor Miller's Tale mind Mirabell Moby-Dick monologue moral never Nicholas nonsense novel Old Testament parody Pataphysics performance play player playful pleasure plot poem poet poetry possible pretending Prufrock put-on Queen Raymond Queneau reader reality rhyme role scene sense Shakespeare Songs stage story T.S. Eliot taking theater tock translation turn Underground universe verbal vertigo Vladimir woman words writer York