Auctor Ludens: Essays on Play in LiteratureGerald Guinness, Andrew Hurley This is a book about play practice rather than play theory. Of course, practice presupposes theory, but here the editors choose to keep general theoretical assumptions under cover rather then force them into explicitness. The contributors to this volume were given free rein to discuss whatsoever aspect of literary play caught their fancy. The absence of a predetermined theoretical framework has resulted in an idiosyntractic volume on the different forms of play. |
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Page 3
... adult mind doesn't as a rule find in Dickens a challenge to an unusual and sustained seriousness."4 And why? Because in all his books save one there is a "repetitive overdoing and loose inclusiveness"; only Hard Times "is controlled ...
... adult mind doesn't as a rule find in Dickens a challenge to an unusual and sustained seriousness."4 And why? Because in all his books save one there is a "repetitive overdoing and loose inclusiveness"; only Hard Times "is controlled ...
Page 30
... adult is no different. His education never ceases. In thinking about this, one understands the importance of acting in the theater for the formation of character. It will then be understood what it means when thousands of people perform ...
... adult is no different. His education never ceases. In thinking about this, one understands the importance of acting in the theater for the formation of character. It will then be understood what it means when thousands of people perform ...
Page 73
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Page 115
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Page 116
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Contents
1 | |
9 | |
15 | |
15 | |
37 | |
Playing with Authorship | 63 |
InterLude | 91 |
PlayTranslations | 91 |
Literature as Game of Pleasure | 99 |
Literature and RolePlaying | 137 |
Literature as Existential Play | 171 |
PostLude | 191 |
LIST OF WORKS CITED | 195 |
NOTE ON CONTRIBUTORS | 199 |
INDEX | 200 |
The Games of Literature | 99 |
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Common terms and phrases
A.J. Smith Absalom Absolon action actors adult agonistic Alice Alice Liddell amorous agon argument attitude Auctor Ludens audience Barth Beckett becomes Borges Brecht Caillois called Carey century characters comic consciousness Coy Mistress critical death despair devil Donne's drama Eliot English erotic essay Estragon fact Falstaff feel fiction final flyting Gravity's Rainbow hagiographic Homo Ludens Huizinga human Ibarra imagination John Donne Kolve language learning Leavis Lehrstueck literary literature liturgical drama look Lottery in Babylon ludic ludus meaning medieval metaphor Miller's Tale mind Mirabell Moby-Dick monologue moral never Nicholas nonsense novel Old Testament parody Pataphysics performance play player playful pleasure plot poem poet poetry possible pretending Prufrock put-on Queen Raymond Queneau reader reality rhyme role scene sense Shakespeare Songs stage story T.S. Eliot taking theater tock translation turn Underground universe verbal vertigo Vladimir woman words writer York