Auctor Ludens: Essays on Play in LiteratureGerald Guinness, Andrew Hurley This is a book about play practice rather than play theory. Of course, practice presupposes theory, but here the editors choose to keep general theoretical assumptions under cover rather then force them into explicitness. The contributors to this volume were given free rein to discuss whatsoever aspect of literary play caught their fancy. The absence of a predetermined theoretical framework has resulted in an idiosyntractic volume on the different forms of play. |
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Page 2
... Leavis of Downing College was too busy defending English literature in general and Cambridge English in particular against the heathen hordes (the dilettante dons at King's, the Sunday reviewers, the British Council) to have much ...
... Leavis of Downing College was too busy defending English literature in general and Cambridge English in particular against the heathen hordes (the dilettante dons at King's, the Sunday reviewers, the British Council) to have much ...
Page 3
... Leavis' predilection for poems like D.H. Lawrence's "Piano" where as he put it, "the emotion runs both ways," i.e., doubles back on itself, creating a counter-movement and so keeping the liquid in motion so that it doesn't spill beyond ...
... Leavis' predilection for poems like D.H. Lawrence's "Piano" where as he put it, "the emotion runs both ways," i.e., doubles back on itself, creating a counter-movement and so keeping the liquid in motion so that it doesn't spill beyond ...
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... Leavis as to why literary works uncontrolled throughout "to a unifying and organizing significance" may yet offer thrilling compensations meriting serious critical attention. And yet the moral authority of this ghostly doctor isn't easy ...
... Leavis as to why literary works uncontrolled throughout "to a unifying and organizing significance" may yet offer thrilling compensations meriting serious critical attention. And yet the moral authority of this ghostly doctor isn't easy ...
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... Leavis, The Great Tradition (London, 1962), p. 27. 2Commenting on T.S. Eliot's Introduction to Valéry's "Le Serpent" in The Spectator (July 19, 1975). See too F.R. Leavis, Thoughts, Words and Creativity (New York, 1976), pp. 16ff. 3The ...
... Leavis, The Great Tradition (London, 1962), p. 27. 2Commenting on T.S. Eliot's Introduction to Valéry's "Le Serpent" in The Spectator (July 19, 1975). See too F.R. Leavis, Thoughts, Words and Creativity (New York, 1976), pp. 16ff. 3The ...
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Contents
1 | |
9 | |
15 | |
15 | |
37 | |
Playing with Authorship | 63 |
InterLude | 91 |
PlayTranslations | 91 |
Literature as Game of Pleasure | 99 |
Literature and RolePlaying | 137 |
Literature as Existential Play | 171 |
PostLude | 191 |
LIST OF WORKS CITED | 195 |
NOTE ON CONTRIBUTORS | 199 |
INDEX | 200 |
The Games of Literature | 99 |
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Common terms and phrases
A.J. Smith Absalom Absolon action actors adult agonistic Alice Alice Liddell amorous agon argument attitude Auctor Ludens audience Barth Beckett becomes Borges Brecht Caillois called Carey century characters comic consciousness Coy Mistress critical death despair devil Donne's drama Eliot English erotic essay Estragon fact Falstaff feel fiction final flyting Gravity's Rainbow hagiographic Homo Ludens Huizinga human Ibarra imagination John Donne Kolve language learning Leavis Lehrstueck literary literature liturgical drama look Lottery in Babylon ludic ludus meaning medieval metaphor Miller's Tale mind Mirabell Moby-Dick monologue moral never Nicholas nonsense novel Old Testament parody Pataphysics performance play player playful pleasure plot poem poet poetry possible pretending Prufrock put-on Queen Raymond Queneau reader reality rhyme role scene sense Shakespeare Songs stage story T.S. Eliot taking theater tock translation turn Underground universe verbal vertigo Vladimir woman words writer York