Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 6Gale Research Company, 1984 |
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Page 87
... vision , missing nothing , over - emphasizing nothing , aware of all significances and relations , mapped out below , juxtaposed , understood . The vision is too crystal - clear to under - emphasize the physical , yet ever too ...
... vision , missing nothing , over - emphasizing nothing , aware of all significances and relations , mapped out below , juxtaposed , understood . The vision is too crystal - clear to under - emphasize the physical , yet ever too ...
Page 219
... vision of " the breeding and joy - giving powers of the natural world . " In the following excerpt , the critic contends that Antony and Cleopatra is constructed in terms of a Dionysian vision , with the first half of the play ...
... vision of " the breeding and joy - giving powers of the natural world . " In the following excerpt , the critic contends that Antony and Cleopatra is constructed in terms of a Dionysian vision , with the first half of the play ...
Page 523
... vision . For here is suggested fleetingly what was to be conveyed much more complexly and centrally in the later plays : namely , a human viewpoint other than that which is at the focus of the play's action . At this point , the ...
... vision . For here is suggested fleetingly what was to be conveyed much more complexly and centrally in the later plays : namely , a human viewpoint other than that which is at the focus of the play's action . At this point , the ...
Contents
Preface | 7 |
Richard II | 241 |
The Two Gentlemen of Verona | 429 |
Copyright | |
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action Actium Antony and Cleo Antony and Cleopatra Antony's argues asserts audience Aumerle battle of Actium becomes Bishop of Carlisle Bolingbroke Caesar character Charmian critic crown death deposed divine Dolabella dramatic earth Egypt Egyptian elements Elizabethan emotion Enobarbus Eros essay date excerpt feeling final Flint Castle Gaunt give grief hath heart heaven Henry Henry IV hero heroic honor human imagery imagination judgment Julius Caesar king King Lear king's kingship language Lear Lepidus lord lovers Macbeth means moral Mowbray nature noble Octavius Othello paradox passion patra play play's Plutarch poet poetic poetry political Pompey present protagonists queen reality rhetoric Richard Richard II Roman Rome Romeo and Juliet royal says scene seems sense Shake Shakespeare speaks speare speare's speech suggests thee theme things thou thought throne tragedy tragic triumph true usurper vision woman words York