Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 6Gale Research Company, 1984 |
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Page 167
... present con- duct . The deliberate framing of the lovers cannot be dismissed . No matter how noble Antony and Cleopatra wish to appear , the derogatory judgment of their actions by Philo and Deme- trius reduces their stature . When ...
... present con- duct . The deliberate framing of the lovers cannot be dismissed . No matter how noble Antony and Cleopatra wish to appear , the derogatory judgment of their actions by Philo and Deme- trius reduces their stature . When ...
Page 188
... present through a false image of himself . He knows that the past is indeed past , and he speaks repeatedly of the decline in his present fortunes . But even in the teeth of adverse fortune he tries to earn in the present the reputation ...
... present through a false image of himself . He knows that the past is indeed past , and he speaks repeatedly of the decline in his present fortunes . But even in the teeth of adverse fortune he tries to earn in the present the reputation ...
Page 476
... present characters " who control the action by the inner necessity of their being . ” ] If The Comedy of Errors is a piece of prentice work following a set pattern , The Two Gentlemen of Verona may be regarded as an example of work by ...
... present characters " who control the action by the inner necessity of their being . ” ] If The Comedy of Errors is a piece of prentice work following a set pattern , The Two Gentlemen of Verona may be regarded as an example of work by ...
Contents
Preface | 7 |
Richard II | 241 |
The Two Gentlemen of Verona | 429 |
Copyright | |
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action Actium Antony and Cleo Antony and Cleopatra Antony's argues asserts audience Aumerle battle of Actium becomes Bishop of Carlisle Bolingbroke Caesar character Charmian critic crown death deposed divine Dolabella dramatic earth Egypt Egyptian elements Elizabethan emotion Enobarbus Eros essay date excerpt feeling final Flint Castle Gaunt give grief hath heart heaven Henry Henry IV hero heroic honor human imagery imagination judgment Julius Caesar king King Lear king's kingship language Lear Lepidus lord lovers Macbeth means moral Mowbray nature noble Octavius Othello paradox passion patra play play's Plutarch poet poetic poetry political Pompey present protagonists queen reality rhetoric Richard Richard II Roman Rome Romeo and Juliet royal says scene seems sense Shake Shakespeare speaks speare speare's speech suggests thee theme things thou thought throne tragedy tragic triumph true usurper vision woman words York