Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 6Gale Research Company, 1984 |
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Page 50
... never quite loses the consciousness of self , that she cannot be quite simple . Even at the moment when the blow strikes her , the news of the marriage with Octavia , she has still the posing instinct : " I am pale , Charmian ! " [ II ...
... never quite loses the consciousness of self , that she cannot be quite simple . Even at the moment when the blow strikes her , the news of the marriage with Octavia , she has still the posing instinct : " I am pale , Charmian ! " [ II ...
Page 192
... never met this Antony in the play , that possibly he has never existed , and yet we must recognize that the vision is right ( supremely so ) for Cleopatra herself , but that it is almost completely devoid of larger significance except ...
... never met this Antony in the play , that possibly he has never existed , and yet we must recognize that the vision is right ( supremely so ) for Cleopatra herself , but that it is almost completely devoid of larger significance except ...
Page 327
... never make right . In other words , he was presuming to do something that even as microchristus he could not expect to accomplish without committing the same sin he would avenge . The place of Bolingbroke in the action of the play is ...
... never make right . In other words , he was presuming to do something that even as microchristus he could not expect to accomplish without committing the same sin he would avenge . The place of Bolingbroke in the action of the play is ...
Contents
Preface | 7 |
Richard II | 241 |
The Two Gentlemen of Verona | 429 |
Copyright | |
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action Actium Antony and Cleo Antony and Cleopatra Antony's argues asserts audience Aumerle battle of Actium becomes Bishop of Carlisle Bolingbroke Caesar character Charmian critic crown death deposed divine Dolabella dramatic earth Egypt Egyptian elements Elizabethan emotion Enobarbus Eros essay date excerpt feeling final Flint Castle Gaunt give grief hath heart heaven Henry Henry IV hero heroic honor human imagery imagination judgment Julius Caesar king King Lear king's kingship language Lear Lepidus lord lovers Macbeth means moral Mowbray nature noble Octavius Othello paradox passion patra play play's Plutarch poet poetic poetry political Pompey present protagonists queen reality rhetoric Richard Richard II Roman Rome Romeo and Juliet royal says scene seems sense Shake Shakespeare speaks speare speare's speech suggests thee theme things thou thought throne tragedy tragic triumph true usurper vision woman words York