Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 6Gale Research Company, 1984 |
From inside the book
Results 1-3 of 85
Page 18
... lovers transcendent . We are in no doubt about what they have lost for love , he concluded , but we remain uncertain over what " if anything , has been won . " Rosen was more emphatic in his estimation of the question of the lovers ...
... lovers transcendent . We are in no doubt about what they have lost for love , he concluded , but we remain uncertain over what " if anything , has been won . " Rosen was more emphatic in his estimation of the question of the lovers ...
Page 218
... lovers ' evaluation of themselves , to take them at their word , because we are more often permitted to identify our- selves with them . The entire structure of framing commentary and of shifts of scene had forced us to remain ...
... lovers ' evaluation of themselves , to take them at their word , because we are more often permitted to identify our- selves with them . The entire structure of framing commentary and of shifts of scene had forced us to remain ...
Page 550
... lovers ' conventional re- sponses and the placement of their serious speeches in ironic circumstances , a device Leggatt refers to as “ comic dislocation . " The critic further describes each character's relation to love , from ...
... lovers ' conventional re- sponses and the placement of their serious speeches in ironic circumstances , a device Leggatt refers to as “ comic dislocation . " The critic further describes each character's relation to love , from ...
Contents
Preface | 7 |
Richard II | 241 |
The Two Gentlemen of Verona | 429 |
Copyright | |
2 other sections not shown
Other editions - View all
Common terms and phrases
action Actium Antony and Cleo Antony and Cleopatra Antony's argues asserts audience Aumerle battle of Actium becomes Bishop of Carlisle Bolingbroke Caesar character Charmian critic crown death deposed divine Dolabella dramatic earth Egypt Egyptian elements Elizabethan emotion Enobarbus Eros essay date excerpt feeling final Flint Castle Gaunt give grief hath heart heaven Henry Henry IV hero heroic honor human imagery imagination judgment Julius Caesar king King Lear king's kingship language Lear Lepidus lord lovers Macbeth means moral Mowbray nature noble Octavius Othello paradox passion patra play play's Plutarch poet poetic poetry political Pompey present protagonists queen reality rhetoric Richard Richard II Roman Rome Romeo and Juliet royal says scene seems sense Shake Shakespeare speaks speare speare's speech suggests thee theme things thou thought throne tragedy tragic triumph true usurper vision woman words York