Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 6Gale Research Company, 1984 |
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Page 248
... language in Richard II , by J. A. Bryant , Jr. , and M. M. Mahood , were written during the 1950s . Bryant focused on Shakespeare's appropriation of Christian and pagan rituals and of Old Tes- tament allusions in the play , noting that ...
... language in Richard II , by J. A. Bryant , Jr. , and M. M. Mahood , were written during the 1950s . Bryant focused on Shakespeare's appropriation of Christian and pagan rituals and of Old Tes- tament allusions in the play , noting that ...
Page 381
... language goes beyond mere punning to the truth , a point which notably escapes Richard , who regards this as merely " playing " with names [ II . i . 84 ] . . . . This quality of Gaunt's language of course makes his long speech on ...
... language goes beyond mere punning to the truth , a point which notably escapes Richard , who regards this as merely " playing " with names [ II . i . 84 ] . . . . This quality of Gaunt's language of course makes his long speech on ...
Page 541
... language as a medium which can both substantiate human experience and - being conventionalized it- self - falsify that experience . Stressing the play's undramatic qual- ity , its dependency on language as opposed to the development of ...
... language as a medium which can both substantiate human experience and - being conventionalized it- self - falsify that experience . Stressing the play's undramatic qual- ity , its dependency on language as opposed to the development of ...
Contents
Preface | 7 |
Richard II | 241 |
The Two Gentlemen of Verona | 429 |
Copyright | |
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action Actium Antony and Cleo Antony and Cleopatra Antony's argues asserts audience Aumerle battle of Actium becomes Bishop of Carlisle Bolingbroke Caesar character Charmian critic crown death deposed divine Dolabella dramatic earth Egypt Egyptian elements Elizabethan emotion Enobarbus Eros essay date excerpt feeling final Flint Castle Gaunt give grief hath heart heaven Henry Henry IV hero heroic honor human imagery imagination judgment Julius Caesar king King Lear king's kingship language Lear Lepidus lord lovers Macbeth means moral Mowbray nature noble Octavius Othello paradox passion patra play play's Plutarch poet poetic poetry political Pompey present protagonists queen reality rhetoric Richard Richard II Roman Rome Romeo and Juliet royal says scene seems sense Shake Shakespeare speaks speare speare's speech suggests thee theme things thou thought throne tragedy tragic triumph true usurper vision woman words York