Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 6Gale Research Company, 1984 |
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Page 19
... dramatic action . A. P. Riemer maintained that the play's language and imagery distance the audience from the dramatic figures . Even passages of swelling verse , he contended , are frequently char- acterized by punning and hyperbole ...
... dramatic action . A. P. Riemer maintained that the play's language and imagery distance the audience from the dramatic figures . Even passages of swelling verse , he contended , are frequently char- acterized by punning and hyperbole ...
Page 20
... dramatic events are purposely ambiguous . Moreover , even those critics who caution against succumbing to what Coleridge described as the " happy valiancy " of the play's style admit with its defenders the incomparable versification of ...
... dramatic events are purposely ambiguous . Moreover , even those critics who caution against succumbing to what Coleridge described as the " happy valiancy " of the play's style admit with its defenders the incomparable versification of ...
Page 278
... dramatic quality , a singular interest for those who care to study the development of Shakespeare's dramatic methods . With Romeo and Juliet and A Midsummer Night's Dream , it belongs to the period of a deliberate literary experiment ...
... dramatic quality , a singular interest for those who care to study the development of Shakespeare's dramatic methods . With Romeo and Juliet and A Midsummer Night's Dream , it belongs to the period of a deliberate literary experiment ...
Contents
Preface | 7 |
Richard II | 241 |
The Two Gentlemen of Verona | 429 |
Copyright | |
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action Actium Antony and Cleo Antony and Cleopatra Antony's argues asserts audience Aumerle battle of Actium becomes Bishop of Carlisle Bolingbroke Caesar character Charmian critic crown death deposed divine Dolabella dramatic earth Egypt Egyptian elements Elizabethan emotion Enobarbus Eros essay date excerpt feeling final Flint Castle Gaunt give grief hath heart heaven Henry Henry IV hero heroic honor human imagery imagination judgment Julius Caesar king King Lear king's kingship language Lear Lepidus lord lovers Macbeth means moral Mowbray nature noble Octavius Othello paradox passion patra play play's Plutarch poet poetic poetry political Pompey present protagonists queen reality rhetoric Richard Richard II Roman Rome Romeo and Juliet royal says scene seems sense Shake Shakespeare speaks speare speare's speech suggests thee theme things thou thought throne tragedy tragic triumph true usurper vision woman words York