Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 6Gale Research Company, 1984 |
From inside the book
Results 1-3 of 82
Page 311
... course of its composition , altered his strategy and created “ a soul's drama ' about one person only : Richard , a flawed but attractive hero in whom the dramatist found something in common with his own nature . Bonnard describes the ...
... course of its composition , altered his strategy and created “ a soul's drama ' about one person only : Richard , a flawed but attractive hero in whom the dramatist found something in common with his own nature . Bonnard describes the ...
Page 376
... course solves nothing , and only serves to make the rift between Bolingbroke and Mowbray permanent , as well as , in the light of the effect of Bolingbroke's banish- ment , sowing the seeds of the gigantic rift of civil war . A kingly ...
... course solves nothing , and only serves to make the rift between Bolingbroke and Mowbray permanent , as well as , in the light of the effect of Bolingbroke's banish- ment , sowing the seeds of the gigantic rift of civil war . A kingly ...
Page 494
... course there is an expository monologue or dialogue . In Twelfth Night we have nothing like this . The story there is not played against an important and charted moral background . Neither Orsino , Viola , Olivia , nor Sebastian , in ...
... course there is an expository monologue or dialogue . In Twelfth Night we have nothing like this . The story there is not played against an important and charted moral background . Neither Orsino , Viola , Olivia , nor Sebastian , in ...
Contents
Preface | 7 |
Richard II | 241 |
The Two Gentlemen of Verona | 429 |
Copyright | |
2 other sections not shown
Other editions - View all
Common terms and phrases
action Actium Antony and Cleo Antony and Cleopatra Antony's argues asserts audience Aumerle battle of Actium becomes Bishop of Carlisle Bolingbroke Caesar character Charmian critic crown death deposed divine Dolabella dramatic earth Egypt Egyptian elements Elizabethan emotion Enobarbus Eros essay date excerpt feeling final Flint Castle Gaunt give grief hath heart heaven Henry Henry IV hero heroic honor human imagery imagination judgment Julius Caesar king King Lear king's kingship language Lear Lepidus lord lovers Macbeth means moral Mowbray nature noble Octavius Othello paradox passion patra play play's Plutarch poet poetic poetry political Pompey present protagonists queen reality rhetoric Richard Richard II Roman Rome Romeo and Juliet royal says scene seems sense Shake Shakespeare speaks speare speare's speech suggests thee theme things thou thought throne tragedy tragic triumph true usurper vision woman words York