Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 6Gale Research Company, 1984 |
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Page 7
... beginning their study of Shakespeare . Thus , ours is not a work for the specialist , but an introduction for the ... beginning of each piece . For an anonymous essay later attributed to a critic , the critic's name appears in brackets ...
... beginning their study of Shakespeare . Thus , ours is not a work for the specialist , but an introduction for the ... beginning of each piece . For an anonymous essay later attributed to a critic , the critic's name appears in brackets ...
Page 291
... beginning of act II , the wheel starts turning mysteriously of itself , or rather by the action of the goddess . The will of the King seems paralysed ; he becomes an almost passive agent . Bolingbroke acts , and acts forcibly ; yet he ...
... beginning of act II , the wheel starts turning mysteriously of itself , or rather by the action of the goddess . The will of the King seems paralysed ; he becomes an almost passive agent . Bolingbroke acts , and acts forcibly ; yet he ...
Page 419
... beginning to experience defeat . A sentimental poetic fancy peoples the realm with ' familiars ' , sympathetic creatures who will resist Bolingbroke's assault . Having failed in his ruling of society , Richard seeks to imagine a kingdom ...
... beginning to experience defeat . A sentimental poetic fancy peoples the realm with ' familiars ' , sympathetic creatures who will resist Bolingbroke's assault . Having failed in his ruling of society , Richard seeks to imagine a kingdom ...
Contents
Preface | 7 |
Richard II | 241 |
The Two Gentlemen of Verona | 429 |
Copyright | |
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action Actium Antony and Cleo Antony and Cleopatra Antony's argues asserts audience Aumerle battle of Actium becomes Bishop of Carlisle Bolingbroke Caesar character Charmian critic crown death deposed divine Dolabella dramatic earth Egypt Egyptian elements Elizabethan emotion Enobarbus Eros essay date excerpt feeling final Flint Castle Gaunt give grief hath heart heaven Henry Henry IV hero heroic honor human imagery imagination judgment Julius Caesar king King Lear king's kingship language Lear Lepidus lord lovers Macbeth means moral Mowbray nature noble Octavius Othello paradox passion patra play play's Plutarch poet poetic poetry political Pompey present protagonists queen reality rhetoric Richard Richard II Roman Rome Romeo and Juliet royal says scene seems sense Shake Shakespeare speaks speare speare's speech suggests thee theme things thou thought throne tragedy tragic triumph true usurper vision woman words York