Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 6Gale Research Company, 1984 |
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Page 296
... Elizabethan audience than the way they would take the gardener's opening words : Go , bind thou up yon dangling apricocks , Which , like unruly children , make their sire Stoop with oppression of their prodigal weight . [ III . iv . 29 ...
... Elizabethan audience than the way they would take the gardener's opening words : Go , bind thou up yon dangling apricocks , Which , like unruly children , make their sire Stoop with oppression of their prodigal weight . [ III . iv . 29 ...
Page 382
... Elizabethan mind . . . generally assumed that one played one's part in a divinely ordained pageant where each man was his name and the role his name implied . The expression of this faith , and the outrage of it , is particularly ...
... Elizabethan mind . . . generally assumed that one played one's part in a divinely ordained pageant where each man was his name and the role his name implied . The expression of this faith , and the outrage of it , is particularly ...
Page 587
... Elizabethan compositors set their type by hand , one letter at a time , a practice that made it difficult to sustain a sense of the text and which often resulted in a number of meaningless passages in books . Also , the lack of uniform ...
... Elizabethan compositors set their type by hand , one letter at a time , a practice that made it difficult to sustain a sense of the text and which often resulted in a number of meaningless passages in books . Also , the lack of uniform ...
Contents
Preface | 7 |
Richard II | 241 |
The Two Gentlemen of Verona | 429 |
Copyright | |
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action Actium Antony and Cleo Antony and Cleopatra Antony's argues asserts audience Aumerle battle of Actium becomes Bishop of Carlisle Bolingbroke Caesar character Charmian critic crown death deposed divine Dolabella dramatic earth Egypt Egyptian elements Elizabethan emotion Enobarbus Eros essay date excerpt feeling final Flint Castle Gaunt give grief hath heart heaven Henry Henry IV hero heroic honor human imagery imagination judgment Julius Caesar king King Lear king's kingship language Lear Lepidus lord lovers Macbeth means moral Mowbray nature noble Octavius Othello paradox passion patra play play's Plutarch poet poetic poetry political Pompey present protagonists queen reality rhetoric Richard Richard II Roman Rome Romeo and Juliet royal says scene seems sense Shake Shakespeare speaks speare speare's speech suggests thee theme things thou thought throne tragedy tragic triumph true usurper vision woman words York