Shakespearean CriticismMichael Magoulias Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 61
... mind . One is the essential separateness of any piece of creative writing that has escaped from pastiche or from the simple attempt to reproduce the effect of another piece of writing , or a group of writings , already in existence ...
... mind . One is the essential separateness of any piece of creative writing that has escaped from pastiche or from the simple attempt to reproduce the effect of another piece of writing , or a group of writings , already in existence ...
Page 390
... mind and activity to another . ' My mind is trou- bled , like a fountain stirred , ' he says helplessly , ' and I myself see not the bottom of it . ' His murder of Hector seems scarcely done of his own volition , nor does the man that ...
... mind and activity to another . ' My mind is trou- bled , like a fountain stirred , ' he says helplessly , ' and I myself see not the bottom of it . ' His murder of Hector seems scarcely done of his own volition , nor does the man that ...
Page 403
... mind . The obvious irony is effective precisely because she is so relentlessly proclaim- ing her everlasting faithfulness . As often noted , the scene is indeed a type of the marriage service , as must be visu- ally as well as verbally ...
... mind . The obvious irony is effective precisely because she is so relentlessly proclaim- ing her everlasting faithfulness . As often noted , the scene is indeed a type of the marriage service , as must be visu- ally as well as verbally ...
Contents
Shakespeare and Classical Civilization | 1 |
Antony and Cleopatra | 81 |
Timon of Athens | 154 |
Copyright | |
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Aaron Achilles action Aeneas Aeneid Alcibiades allusions ancient Antony and Cleopatra Antony's Apemantus Athenian audience becomes Brutus character Chiron classical Cleo comedy contrast Coriolanus critics death Demetrius Dido dramatic Elizabethan English Enobarbus essay date fact friends give gods Goths Greek Hamlet hath Hector Hecuba Hercules hero Homer human Iliad Jonson Julius Caesar King language Latin Lavinia Lear live lord lovers Lucius Lucrece Marcus Mars means Metamorphoses moral nature noble Octavius Ovid Ovid's Ovidian passion patra peare peare's Plautus play's Plutarch poem poet poetry political queen rape Renaissance revenge rhetoric Roman plays Rome Saturninus says scene seems Sejanus Senate Seneca sense Shakes Shakespeare Shakespeare's Roman speak speech stage story style suggests Tamora Tereus thee things thou thought Timon of Athens tion Titus Andronicus Titus's tradition tragedy tragic translation Troilus and Cressida Troy Ulysses values Venus Vergil virtue words