Shakespearean CriticismMichael Magoulias Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 172
... language end " ( v . i . 218 ) . IV Timon's radical experience with " sour words " requires close attention , since the manner in which he first ex- ploits and then abandons language bears directly on Shakespeare's own attitude towards ...
... language end " ( v . i . 218 ) . IV Timon's radical experience with " sour words " requires close attention , since the manner in which he first ex- ploits and then abandons language bears directly on Shakespeare's own attitude towards ...
Page 319
... language , thought about the use of language , and that he was fully self - conscious about his own strange enterprise , the massing of words into fictive worlds . In my discussions , then , I shall consider the tragedies not only as ...
... language , thought about the use of language , and that he was fully self - conscious about his own strange enterprise , the massing of words into fictive worlds . In my discussions , then , I shall consider the tragedies not only as ...
Page 327
... language of Marcus frustrates the visual develop- ment of an empathic response ? In either case , the presumed gulf between language and action disappears if we allow that the change in the language of the play is met by a corresponding ...
... language of Marcus frustrates the visual develop- ment of an empathic response ? In either case , the presumed gulf between language and action disappears if we allow that the change in the language of the play is met by a corresponding ...
Contents
Shakespeare and Classical Civilization | 1 |
Antony and Cleopatra | 81 |
Timon of Athens | 154 |
Copyright | |
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Aaron Achilles action Aeneas Aeneid Alcibiades allusions ancient Antony and Cleopatra Antony's Apemantus Athenian audience becomes Brutus character Chiron classical Cleo comedy contrast Coriolanus critics death Demetrius Dido dramatic Elizabethan English Enobarbus essay date fact friends give gods Goths Greek Hamlet hath Hector Hecuba Hercules hero Homer human Iliad Jonson Julius Caesar King language Latin Lavinia Lear live lord lovers Lucius Lucrece Marcus Mars means Metamorphoses moral nature noble Octavius Ovid Ovid's Ovidian passion patra peare peare's Plautus play's Plutarch poem poet poetry political queen rape Renaissance revenge rhetoric Roman plays Rome Saturninus says scene seems Sejanus Senate Seneca sense Shakes Shakespeare Shakespeare's Roman speak speech stage story style suggests Tamora Tereus thee things thou thought Timon of Athens tion Titus Andronicus Titus's tradition tragedy tragic translation Troilus and Cressida Troy Ulysses values Venus Vergil virtue words