Shakespearean CriticismMichael Magoulias Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 303
... Titus as unappreciative of its message and so not worthy to be saved by grace . The larger art of Providence directs Titus one way , while , for a moment , God's local art fashions a spectacle for those uncorrupted enough to learn from ...
... Titus as unappreciative of its message and so not worthy to be saved by grace . The larger art of Providence directs Titus one way , while , for a moment , God's local art fashions a spectacle for those uncorrupted enough to learn from ...
Page 310
... Titus ' brand of semiosis , and especially his practice of metapho- rizing and gendering literary imitations . For through feats of literalism and displacement , Titus intends to exact poetic justice , a social destruction equal to the ...
... Titus ' brand of semiosis , and especially his practice of metapho- rizing and gendering literary imitations . For through feats of literalism and displacement , Titus intends to exact poetic justice , a social destruction equal to the ...
Page 330
... Titus is an inadvertant result of a necessarily rhetorical style , not a conscious calculation as in Marston's plays or in Hamlet . Titus achieves its success by an unlikely marriage of Latinate rhetoric and early English theater ...
... Titus is an inadvertant result of a necessarily rhetorical style , not a conscious calculation as in Marston's plays or in Hamlet . Titus achieves its success by an unlikely marriage of Latinate rhetoric and early English theater ...
Contents
Shakespeare and Classical Civilization | 1 |
Antony and Cleopatra | 81 |
Timon of Athens | 154 |
Copyright | |
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Aaron Achilles action Aeneas Aeneid Alcibiades allusions ancient Antony and Cleopatra Antony's Apemantus Athenian audience becomes Brutus character Chiron classical Cleo comedy contrast Coriolanus critics death Demetrius Dido dramatic Elizabethan English Enobarbus essay date fact friends give gods Goths Greek Hamlet hath Hector Hecuba Hercules hero Homer human Iliad Jonson Julius Caesar King language Latin Lavinia Lear live lord lovers Lucius Lucrece Marcus Mars means Metamorphoses moral nature noble Octavius Ovid Ovid's Ovidian passion patra peare peare's Plautus play's Plutarch poem poet poetry political queen rape Renaissance revenge rhetoric Roman plays Rome Saturninus says scene seems Sejanus Senate Seneca sense Shakes Shakespeare Shakespeare's Roman speak speech stage story style suggests Tamora Tereus thee things thou thought Timon of Athens tion Titus Andronicus Titus's tradition tragedy tragic translation Troilus and Cressida Troy Ulysses values Venus Vergil virtue words