Scar. 'Tis easy to't; and there I will attend What further comes. Can. To Cæsar will I render My legions, and my horse; six kings already Eno. I'll yet follow The wounded chance of Antony, though my reason Sits in the wind against me. [Exeunt. SCENE IX. Alexandria. A Room in the Palace. Enter ANTONY and Attendants. Ant. Hark, the land bids me tread no more upon't, It is asham'd to bear me ! - Friends, come hither, I am so lated in the world', that I - I have a ship Have lost my way for ever: Att. Fly! not we. Ant. I have fled myself; and have instructed cowards To run, and show their shoulders.- Friends, be gone; I have myself resolv'd upon a course, Which has no need of you; be gone: My treasure's in the harbour, take it.— O, 6 The wounded chance of Antony,] i. e. the broken fortunes oj Antony. 7 so lated in the world,] Alluding to a benighted traveller. Which my despair proclaims; let that be left 8 [Sits down. Enter EROS and CLEOPATRA, led by CHARMIAN and IRAS. Eros. Nay, gentle madam, to him:- Comfort him. Iras. Do, most dear queen. Char. Do! Why, what else? Ant. Yes, my lord, yes; He, at Philippi, kept 8 Cleo. Ah, stand by. Eros. The queen, my lord, the queen. No matter. I have lost command,] i. e. I entreat you to leave me, because I have lost all power to command your absence. 9- He, at Philippi, kept His sword even like a dancer ;] i. e. Cæsar never offered to draw his sword, but kept it in the scabbard, like one who dances with a sword on, which was formerly the custom in England. Dealt on lieutenantry,] i. e. fought by proxy, made war by his lieutenants, or on the strength of his lieutenants, Iras. Go to him, madam, speak to him; He is unqualitied with very shame. Cleo. Well then,-Sustain me: - O! Eros. Most noble sir, arise; the queen approaches; Her head's declined, and death will seize her; but3 Your comfort makes the rescue. Ant. I have offended reputation; A most unnoble swerving. Eros. Sir, the queen. Ant. O, whither hast thou led me, Egypt? See, O my lord, my lord! Cleo. Ant. Egypt, thou knew'st too well, Cleo. Ant. O, my pardon. Now I must To the young man send humble treaties, dodge 2 He is unqualitied-] Perhaps, unqualitied signifies unmanned in general, disarmed of his usual faculties. death will seize her; but-] But has here, as once before in this play, the force of except, or unless. 4 How I convey my shame] How, by looking another way, I withdraw my ignominy from your sight. 3 tied by the strings,] That is, by the heart-string. My sword, made weak by my affection, would Cleo. O pardon, pardon. Ant. Fall not a tear, I say; one of them rates All that is won and lost: Give me a kiss; Even this repays me. We sent our schoolmaster, most, when most she offers blows. [Exeunt. SCENE X. Cæsar's Camp, in Egypt. Enter CESAR, DOLABELLA, THYREUS, and Others. Cæs. Let him appear that's come from Antony. Know you him? Dol. Cæsar, 'tis his schoolmaster:" An argument that he is pluck'd, when hither Which had superfluous kings for messengers, Cæs. Enter EUPHRONIUS. Approach, and speak. Eup. Such as I am, I come from Antony: I was of late as petty to his ends, As is the morn-dew on the myrtle-leaf To his grand sea." 6 ·his schoolmaster:] The name of this person was Euphronius. He was schoolmaster to Antony's children by Cleopatra. 7 as petty to his ends, As is the morn-dew on the myrtle-leaf To his grand sea.] His grand sea may mean his full tide of prosperity; or it may mean the sea from which the dew-drop is exhaled. Shakspeare might have considered the sea as the source of dews as well as rain. His is used instead of its. Cæs. Be it so; Declare thine office. Eup. Lord of his fortunes he salutes thee, and 8 Cæs. Cæs. Bring him through the bands. To try thy eloquence, now 'tis time: Despatch; Thyr. Cæsar, I go. Cas. Observe how Antony becomes his flaw;' 8 Thyr. royalty. 1 Cæsar, I shall. [Exeunt. circle of the Ptolemies-] The diadem; the ensign of - friend,] i. e. paramour. -how Antony becomes his flaw;] That is, how Antony conforms himself to this breach of his fortune. |