Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 12Gale Research Company, 1984 |
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Page 42
... turned his head , he raised his eyes fervently ; his lips murmured incoherent words as his whole body resumed a dreamy , motionless attitude . When Shylock grasped the severity of his sentence , his eyelids became heavy as though he was ...
... turned his head , he raised his eyes fervently ; his lips murmured incoherent words as his whole body resumed a dreamy , motionless attitude . When Shylock grasped the severity of his sentence , his eyelids became heavy as though he was ...
Page 175
... turned down till the curtains opened and the moonlight streamed into the hall ; then the gas within the columns was turned up , and the columns had the appearance of being illuminated by the moonlight . The opening of the curtains ...
... turned down till the curtains opened and the moonlight streamed into the hall ; then the gas within the columns was turned up , and the columns had the appearance of being illuminated by the moonlight . The opening of the curtains ...
Page 426
... turned also to the commedia dell'arte , the cir- cus , and vaudeville for a unifying concept which turns the play into a farcical romp . In addition to the 1954 Tyrone Guthrie version , Gerald Freedman's 1960 New York Shake- speare ...
... turned also to the commedia dell'arte , the cir- cus , and vaudeville for a unifying concept which turns the play into a farcical romp . In addition to the 1954 Tyrone Guthrie version , Gerald Freedman's 1960 New York Shake- speare ...
Contents
The Merchant of Venice | 1 |
A Midsummer Nights Dream | 141 |
The Taming of the Shrew | 306 |
Copyright | |
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