Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 12Gale Research Company, 1984 |
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Page 32
... tradition and custom . Come to the next phase of Shylock's character , or , let us say , his next dra- matic mood ... tradition that he feels it incumbent upon him to protest against a Shylock who is not , from first to last , a ...
... tradition and custom . Come to the next phase of Shylock's character , or , let us say , his next dra- matic mood ... tradition that he feels it incumbent upon him to protest against a Shylock who is not , from first to last , a ...
Page 41
... tradition which Macklin initiated . The American theatre , which always drew heavily upon En- gland for theatrical inspiration and approval , had its share of venomous Shylocks . George Frederick Cooke , the first presti- gious British ...
... tradition which Macklin initiated . The American theatre , which always drew heavily upon En- gland for theatrical inspiration and approval , had its share of venomous Shylocks . George Frederick Cooke , the first presti- gious British ...
Page 120
... traditional outbreaks of anti- Zionism which recur throughout history . Shylock was con- ceived as a villain , and , in the simple tradition of the fairy story , he is recognizable as such from his first entrance . ' Three thousand ...
... traditional outbreaks of anti- Zionism which recur throughout history . Shylock was con- ceived as a villain , and , in the simple tradition of the fairy story , he is recognizable as such from his first entrance . ' Three thousand ...
Contents
The Merchant of Venice | 1 |
A Midsummer Nights Dream | 141 |
The Taming of the Shrew | 306 |
Copyright | |
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acting actors Ada Rehan admirable Antonio appeared audience Barker Bassanio beautiful Belmont Bottom Brook casket cast character Christopher Sly clowns comedy comic costumes court critic curtain Daly Daly's dance delight director dramatic dress duction effect Elizabethan Ellen Terry essay date excerpt fairies feeling film Garrick give Gratiano Helena Henry Henry Irving Hermia Hippolyta interpretation Irving Irving's Jessica John Kate Katharina Kean Kean's light lines London look lovers Lysander Macklin magic mance Merchant of Venice Midsummer Night's Dream Miss Nerissa never Oberon Olivier performance Peter Peter Brook Petruchio Phelps play's players Poel poetry Portia present production Puck Pyramus and Thisbe Rehan Reinhardt review date revival role Royal Shakespeare Company scenery seems Shake Shakespeare's plays Shrew Shylock song speech spirit stage Stratford Taming Theatre theatrical Theseus thing tion Titania trial scene verse Vestris Victorian whole William words York Zeffirelli