Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 12Gale Research Company, 1984 |
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Page 18
... Once more all who are interested in the higher aims and aspirations of the drama have been sum- moned to see something done for Shakespeare ; and once more strong - hearted work is crowned with success . The Mer- chant of Venice ...
... Once more all who are interested in the higher aims and aspirations of the drama have been sum- moned to see something done for Shakespeare ; and once more strong - hearted work is crowned with success . The Mer- chant of Venice ...
Page 120
... Once the villain has exposed his evil intention — be it to kill Aladdin or to ruin Cinderella— the fairy - queen must change her wand from her right hand to her left so as to protect her heart from evil and place herself in a position ...
... Once the villain has exposed his evil intention — be it to kill Aladdin or to ruin Cinderella— the fairy - queen must change her wand from her right hand to her left so as to protect her heart from evil and place herself in a position ...
Page 379
... once a stage and an imaginative elsewhere ; we accept in the theatre an illusion that is visibly neither real nor realistic . This duality is so com- monplace that it forms an unremarked , tacit assumption on the part of players and ...
... once a stage and an imaginative elsewhere ; we accept in the theatre an illusion that is visibly neither real nor realistic . This duality is so com- monplace that it forms an unremarked , tacit assumption on the part of players and ...
Contents
The Merchant of Venice | 1 |
A Midsummer Nights Dream | 141 |
The Taming of the Shrew | 306 |
Copyright | |
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acting actors Ada Rehan admirable Antonio appeared audience Barker Bassanio beautiful Belmont Bottom Brook casket cast character Christopher Sly clowns comedy comic costumes court critic curtain Daly Daly's dance delight director dramatic dress duction effect Elizabethan Ellen Terry essay date excerpt fairies feeling film Garrick give Gratiano Helena Henry Henry Irving Hermia Hippolyta interpretation Irving Irving's Jessica John Kate Katharina Kean Kean's light lines London look lovers Lysander Macklin magic mance Merchant of Venice Midsummer Night's Dream Miss Nerissa never Oberon Olivier performance Peter Peter Brook Petruchio Phelps play's players Poel poetry Portia present production Puck Pyramus and Thisbe Rehan Reinhardt review date revival role Royal Shakespeare Company scenery seems Shake Shakespeare's plays Shrew Shylock song speech spirit stage Stratford Taming Theatre theatrical Theseus thing tion Titania trial scene verse Vestris Victorian whole William words York Zeffirelli