Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 12Gale Research Company, 1984 |
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Page 196
... less conscious , nor her grace of gesture less studied and mannered , nor her movements swifter and more spontaneous . Already I find that young people who see her for the first time cannot quite agree that our raptures about her ...
... less conscious , nor her grace of gesture less studied and mannered , nor her movements swifter and more spontaneous . Already I find that young people who see her for the first time cannot quite agree that our raptures about her ...
Page 374
... less oafish ways of " opening up " the play . It seems that for most of this long movie roofs are falling in ... less lyri- cal and fantastic , less witty , less philosophical , less sentimen- tal about love . The deluding of the drunken ...
... less oafish ways of " opening up " the play . It seems that for most of this long movie roofs are falling in ... less lyri- cal and fantastic , less witty , less philosophical , less sentimen- tal about love . The deluding of the drunken ...
Page 441
... less : more in A Shrew , where the drunken tinker is given several opportunities to interrupt the action of the play he is watching , and where , at the end , he awakens to find himself once more in a field outside an alehouse , dis ...
... less : more in A Shrew , where the drunken tinker is given several opportunities to interrupt the action of the play he is watching , and where , at the end , he awakens to find himself once more in a field outside an alehouse , dis ...
Contents
The Merchant of Venice | 1 |
A Midsummer Nights Dream | 141 |
The Taming of the Shrew | 306 |
Copyright | |
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acting actors Ada Rehan admirable Antonio appeared audience Barker Bassanio beautiful Belmont Bottom Brook casket cast character Christopher Sly clowns comedy comic costumes court critic curtain Daly Daly's dance delight director dramatic dress duction effect Elizabethan Ellen Terry essay date excerpt fairies feeling film Garrick give Gratiano Helena Henry Henry Irving Hermia Hippolyta interpretation Irving Irving's Jessica John Kate Katharina Kean Kean's light lines London look lovers Lysander Macklin magic mance Merchant of Venice Midsummer Night's Dream Miss Nerissa never Oberon Olivier performance Peter Peter Brook Petruchio Phelps play's players Poel poetry Portia present production Puck Pyramus and Thisbe Rehan Reinhardt review date revival role Royal Shakespeare Company scenery seems Shake Shakespeare's plays Shrew Shylock song speech spirit stage Stratford Taming Theatre theatrical Theseus thing tion Titania trial scene verse Vestris Victorian whole William words York Zeffirelli