Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 12Gale Research Company, 1984 |
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Page 21
... interest . In thus speaking we do not confine our praise to what may be called the upholstery portion of the accessories . An immense stride has been made in the di- rection of a thoroughly satisfactory presentation of the early drama ...
... interest . In thus speaking we do not confine our praise to what may be called the upholstery portion of the accessories . An immense stride has been made in the di- rection of a thoroughly satisfactory presentation of the early drama ...
Page 132
... interest was more and more swinging back to Shakespeare , and beginning in 1916 it became customary for me to undertake an annual spring production of a Shake- speare play at Carnegie Institute of Technology . My mind went back to ...
... interest was more and more swinging back to Shakespeare , and beginning in 1916 it became customary for me to undertake an annual spring production of a Shake- speare play at Carnegie Institute of Technology . My mind went back to ...
Page 158
... interest . Children of every gradation of littleness , with voices of every variation of squeak , may be brought on the stage , but those minute beings - minute both with respect to space and time - who can hang drops in a cowslip's ear ...
... interest . Children of every gradation of littleness , with voices of every variation of squeak , may be brought on the stage , but those minute beings - minute both with respect to space and time - who can hang drops in a cowslip's ear ...
Contents
The Merchant of Venice | 1 |
A Midsummer Nights Dream | 141 |
The Taming of the Shrew | 306 |
Copyright | |
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acting actors Ada Rehan admirable Antonio appeared audience Barker Bassanio beautiful Belmont Bottom Brook casket cast character Christopher Sly clowns comedy comic costumes court critic curtain Daly Daly's dance delight director dramatic dress duction effect Elizabethan Ellen Terry essay date excerpt fairies feeling film Garrick give Gratiano Helena Henry Henry Irving Hermia Hippolyta interpretation Irving Irving's Jessica John Kate Katharina Kean Kean's light lines London look lovers Lysander Macklin magic mance Merchant of Venice Midsummer Night's Dream Miss Nerissa never Oberon Olivier performance Peter Peter Brook Petruchio Phelps play's players Poel poetry Portia present production Puck Pyramus and Thisbe Rehan Reinhardt review date revival role Royal Shakespeare Company scenery seems Shake Shakespeare's plays Shrew Shylock song speech spirit stage Stratford Taming Theatre theatrical Theseus thing tion Titania trial scene verse Vestris Victorian whole William words York Zeffirelli