Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 12Gale Research Company, 1984 |
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Page 81
... final " g " and faltering " ow " sounds , in all re- sembling the Anglo - Jewish tradesman of European origin often seen in London today . This was a man aping his betters , doing his subtle best to keep up with them . At length and ...
... final " g " and faltering " ow " sounds , in all re- sembling the Anglo - Jewish tradesman of European origin often seen in London today . This was a man aping his betters , doing his subtle best to keep up with them . At length and ...
Page 90
... final moments of the play to the collective plight and lamentation of the Jewish experience . It is a note that can be held only so long , but it is a note that sounds within itself the crying of Shylock and the inner struggles of ...
... final moments of the play to the collective plight and lamentation of the Jewish experience . It is a note that can be held only so long , but it is a note that sounds within itself the crying of Shylock and the inner struggles of ...
Page 432
... final scenes for Sly . Critics favoring the latter assumption , which seems to me much the more reasonable of the two , have offered two possible though not mutually exclusive explanations for the disappearance of the scenes before the ...
... final scenes for Sly . Critics favoring the latter assumption , which seems to me much the more reasonable of the two , have offered two possible though not mutually exclusive explanations for the disappearance of the scenes before the ...
Contents
The Merchant of Venice | 1 |
A Midsummer Nights Dream | 141 |
The Taming of the Shrew | 306 |
Copyright | |
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acting actors Ada Rehan admirable Antonio appeared audience Barker Bassanio beautiful Belmont Bottom Brook casket cast character Christopher Sly clowns comedy comic costumes court critic curtain Daly Daly's dance delight director dramatic dress duction effect Elizabethan Ellen Terry essay date excerpt fairies feeling film Garrick give Gratiano Helena Henry Henry Irving Hermia Hippolyta interpretation Irving Irving's Jessica John Kate Katharina Kean Kean's light lines London look lovers Lysander Macklin magic mance Merchant of Venice Midsummer Night's Dream Miss Nerissa never Oberon Olivier performance Peter Peter Brook Petruchio Phelps play's players Poel poetry Portia present production Puck Pyramus and Thisbe Rehan Reinhardt review date revival role Royal Shakespeare Company scenery seems Shake Shakespeare's plays Shrew Shylock song speech spirit stage Stratford Taming Theatre theatrical Theseus thing tion Titania trial scene verse Vestris Victorian whole William words York Zeffirelli