Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 12Gale Research Company, 1984 |
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Page 214
... course , been his devoted admirer ever since I had been fortunate enough to play under his direction in the Deutsche Theater as a young actor in my twenties . The Dream , of course , had been one of his favourite pro- ductions for ...
... course , been his devoted admirer ever since I had been fortunate enough to play under his direction in the Deutsche Theater as a young actor in my twenties . The Dream , of course , had been one of his favourite pro- ductions for ...
Page 290
... course of the music is either a folk - air or derived from one . It would , of course , have been easy , by decorating the tunes with modern harmonies , to de- stroy their folk - character and convert them into music indis- tinguishable ...
... course of the music is either a folk - air or derived from one . It would , of course , have been easy , by decorating the tunes with modern harmonies , to de- stroy their folk - character and convert them into music indis- tinguishable ...
Page 338
... course . They are brought back & Sly congratulates them & offers them drink . Kath . refuses of course - Pet . can laughingly accept . They all retire together . Stage is left empty . Music or partsinging during interval . While it is ...
... course . They are brought back & Sly congratulates them & offers them drink . Kath . refuses of course - Pet . can laughingly accept . They all retire together . Stage is left empty . Music or partsinging during interval . While it is ...
Contents
The Merchant of Venice | 1 |
A Midsummer Nights Dream | 141 |
The Taming of the Shrew | 306 |
Copyright | |
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acting actors Ada Rehan admirable Antonio appeared audience Barker Bassanio beautiful Belmont Bottom Brook casket cast character Christopher Sly clowns comedy comic costumes court critic curtain Daly Daly's dance delight director dramatic dress duction effect Elizabethan Ellen Terry essay date excerpt fairies feeling film Garrick give Gratiano Helena Henry Henry Irving Hermia Hippolyta interpretation Irving Irving's Jessica John Kate Katharina Kean Kean's light lines London look lovers Lysander Macklin magic mance Merchant of Venice Midsummer Night's Dream Miss Nerissa never Oberon Olivier performance Peter Peter Brook Petruchio Phelps play's players Poel poetry Portia present production Puck Pyramus and Thisbe Rehan Reinhardt review date revival role Royal Shakespeare Company scenery seems Shake Shakespeare's plays Shrew Shylock song speech spirit stage Stratford Taming Theatre theatrical Theseus thing tion Titania trial scene verse Vestris Victorian whole William words York Zeffirelli