Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 12Gale Research Company, 1984 |
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Page 257
... called Peter , he is sure to be British ; if he's British he's sure to be called Peter . So concluded a writer in the New York Times recently — and no doubt Brook , the most theatrically adventurous of the clan , was still somewhere ...
... called Peter , he is sure to be British ; if he's British he's sure to be called Peter . So concluded a writer in the New York Times recently — and no doubt Brook , the most theatrically adventurous of the clan , was still somewhere ...
Page 316
... called after Mrs. Nisbett and Mr. Webster . The parts of the drama which do not relate to Petruchio and his bride , necessarily suffer from that deficiency of light co- medians which is felt on the existing stage . As far as our Lon ...
... called after Mrs. Nisbett and Mr. Webster . The parts of the drama which do not relate to Petruchio and his bride , necessarily suffer from that deficiency of light co- medians which is felt on the existing stage . As far as our Lon ...
Page 341
... called Rosabel Watson , who could " produce the music of the period with violins and cellos , so that only the real expert could tell the difference . The performers would all be ladies , but they could dress up as young men " . The ...
... called Rosabel Watson , who could " produce the music of the period with violins and cellos , so that only the real expert could tell the difference . The performers would all be ladies , but they could dress up as young men " . The ...
Contents
The Merchant of Venice | 1 |
A Midsummer Nights Dream | 141 |
The Taming of the Shrew | 306 |
Copyright | |
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acting actors Ada Rehan admirable Antonio appeared audience Barker Bassanio beautiful Belmont Bottom Brook casket cast character Christopher Sly clowns comedy comic costumes court critic curtain Daly Daly's dance delight director dramatic dress duction effect Elizabethan Ellen Terry essay date excerpt fairies feeling film Garrick give Gratiano Helena Henry Henry Irving Hermia Hippolyta interpretation Irving Irving's Jessica John Kate Katharina Kean Kean's light lines London look lovers Lysander Macklin magic mance Merchant of Venice Midsummer Night's Dream Miss Nerissa never Oberon Olivier performance Peter Peter Brook Petruchio Phelps play's players Poel poetry Portia present production Puck Pyramus and Thisbe Rehan Reinhardt review date revival role Royal Shakespeare Company scenery seems Shake Shakespeare's plays Shrew Shylock song speech spirit stage Stratford Taming Theatre theatrical Theseus thing tion Titania trial scene verse Vestris Victorian whole William words York Zeffirelli