Century Illustrated Monthly Magazine, Volume 97Josiah Gilbert Holland, Richard Watson Gilder Century Company, 1918 - American literature |
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Page 4
... hand . took a hand . Lord Rosebery had con- tended that light was a strong excitant . That the consciousness of being seen , of having to acknowledge recognition , or even of knowing your label was being clapped on your back - all that ...
... hand . took a hand . Lord Rosebery had con- tended that light was a strong excitant . That the consciousness of being seen , of having to acknowledge recognition , or even of knowing your label was being clapped on your back - all that ...
Page 16
... hand , already inserted a second time to draw out more letters , came forth empty . He noticed that her eyes were on it as he turned the palm of his hand toward him , fingers doubled and nails in a line . He studied them . She studied ...
... hand , already inserted a second time to draw out more letters , came forth empty . He noticed that her eyes were on it as he turned the palm of his hand toward him , fingers doubled and nails in a line . He studied them . She studied ...
Page 17
... hand . It was still cold , and not like the hand of a grown person , to Napier's sense . Like a child's . She looked at him inquiringly . He said noth- ing , only glanced round the hall in an undecided fashion after releasing her hand ...
... hand . It was still cold , and not like the hand of a grown person , to Napier's sense . Like a child's . She looked at him inquiringly . He said noth- ing , only glanced round the hall in an undecided fashion after releasing her hand ...
Page 27
... hand- " that in- effable left hand , " as a contemporary calls it , for it was with the left he chiefly worked - is distinguished above all others , whatever was the material he employed and for whatever purpose , for the com- bination ...
... hand- " that in- effable left hand , " as a contemporary calls it , for it was with the left he chiefly worked - is distinguished above all others , whatever was the material he employed and for whatever purpose , for the com- bination ...
Page 30
... hand , but which I have chosen in order to illustrate the use of full - sized car- toons by Italian paint- ers ( Fig . 2 ) . The cut shows only the upper half of the cartoon , thereby spoiling the composition , of course , but giving ...
... hand , but which I have chosen in order to illustrate the use of full - sized car- toons by Italian paint- ers ( Fig . 2 ) . The cut shows only the upper half of the cartoon , thereby spoiling the composition , of course , but giving ...
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Alsace American army asked Austria began Beuren Braxton British Bulgaria called captain course door Elsie Empire England Europe eyes face feel felt force France French Gavan German girl Grindley Gubbins Gull Island hand head heard heart industrial Italy Jews Johnny James Julian knew Lady McIntyre land laughed Leatherman live looked Madge ment mind Miss Bretherton Miss Ellis Miss Greta Miss Strickland Miss von Schwarzenberg Napier Napoleon III nation ness never night officers Onoria Palestine Paris passed peace Peter Pforzheim political race round Russian seemed Serbia ship side Singleton Sir William smiled soldier stood sure talk tell thing thought tion told took Trennish Turks turned Van Beuren village voice waiting walked woman young Zionist