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The CHAPTER HOUSE, which opens into the east cloister, is a fine room, and is embellished with the following portraits, &c.:

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The COMMON ROOM, which is under the Hall, contains portraits of Henry VIII., of Drs. Busby, Freind, Nicoll, and Archbishop Markham, of Dean Aldrich, and Dr. Frewin; and a bust of Dr. Busby, by Rysbrach.

In the Court, to which we enter by a narrow passage, in the southern part of the Great Quadrangle, and adjoining the Common Room, is the GRAMMAR SCHOOL, where the Choristers and other boys are educated. Opposite the Grammar School is the new ANATOMICAL THEATRE, which was begun in 1776, and finished partly with the benefaction of Dr. Freind, who died in 1728, leaving £1000 towards promoting the study of anatomy; and partly with the legacy of Dr. M. Lee, who by his will endowed the Lectureship, and was in other respects a great benefactor to the College. This is a handsome convenient building, and is well furnished with subjects to illustrate the study of anatomy, preserved in spirits. Lectures are de

livered here by Dr. Lee's Reader in Anatomy, who is appointed by the Dean and Chapter.— Mr. J. S. and Mr. P. B. Duncan, Fellows of New College, lately presented to this Theatre some very elegant wax models, formed with great accuracy. They were purchased at Florence by these gentlemen:

No. 1. is a full-grown human female figure, in which are represented the following points, namely: the whole of the absorbent system, the viscera of the thorax, of the abdomen, and of the pelvis, together with the arteries and veins belonging to them; the brain and its membranes, and numerous muscles of the head and other parts of the body.

No. 2. Two models, representing sections of the human head, together with six smaller models. The whole completely illustrating the anatomy of the eye, with its nerves and blood-vessels.

No. 3. and 4. Two models, representing with minute accuracy not only the external form and character, but also the whole of the interior anatomy of the male and female crayfish.

Proceeding from the Chapel, down the cloisters, and passing by the old Library, the Chaplains' Quadrangle, and Fell's Buildings; or, from the Anatomical Theatre into the lane in which are the College stables, the stranger is invited to take a view of the beautiful Walks, called Christ Church Meadow and the Wide Walk. The meadow is bounded on the east by the Cherwell, on the south by the river Isis, on the west by a branch of the same river,

and on the north by the Wide Walk. It is a mile and a quarter round; the Wide Walk is upwards of a quarter of a mile in length. These walks are kept in excellent order, at the sale expense of Christ Church, and are filled with company in the fine evenings of unmer, during term, when the scene is enlivened by the continual passing and repassing of pleasure boats of every description, from the skiff to the eightoared cutter.

In order to complete the view of this College, we must return into the Great Quadrangle, pass under the north-east arch, which is opposite the Hall entrance, and proceed to the quadrangle, called PECKWATER, which derives its name from an ancient hall or inn which stood on the south-west corner of the present court, and was the property of Richard Peckwater, who gave it to St. Frideswide's priory, in the reign of Henry III. About the middle of the reign of Henry VIII., another inn, called Vine Hall, was added to it, which, with other buildings, were formed into a quadrangle, in the time of Dean Duppa and Dr. S. Fell, which remained until 1705, when the east, west, and north sides were rebuilt after a plan given by Dean Aldrich, at the expense of the Dean, Canons, and nobility and gentry educated in this Society. Anthony Radcliffe, Canon, bequeathed £3000. for this purpose. This munificent benefaction is commemorated in the following Latin inscription, under the cor

nice of the north side, which was built with his money:-" Atrii Peckwateriensis quod spectas latus extruxit Antonius Radcliffe, S.T.P. hujusce ædis primo Alumnus, deinde Canonicus." The three sides are in a chaste Ìonic style; all superfluity of ornament has been judiciously rejected, and it may be said to be one of the most correct examples of the Palladian architecture in this kingdom.

The LIBRARY, which forms the south-side of Peckwater quadrangle, was begun in 1716, after a design of Dr. George Clarke, of All Souls', and was not completed until 1761. The elevation consists of one order of three-quarter Corinthian columns, of considerable height and diameter. It was originally intended that the lower story should have consisted of an open piazza of seven arches, with an ascent of three steps along the front of the building; but it was afterwards enclosed, and forms the rooms which contain some books, and the collection of paintings left to the College by Brigadier-General Guise, who had received a part of his education in it.

The following is a List of the Paintings, Busts, &c. placed in these lower rooms:

At the Entrance are the following | Hugh Boulter, Primate of Ireland

Busts:

R. Freind, D.D. Master of West-
minster School, Rysbrach
George I. by the same

Dr. Markham, Archbishop of York,
Bacon, junior

Dr. Robinson, Primate of Ireland,
Bacon, senior

George II. Rysbrach

Dr. Frewen, a Physician of Oxford, and Student of Ch. Ch. Roubillac

RIGHT HAND ROOM.
First Compartment. East side.
Over the door is the bust of General
Guise, Bacon.

On the left hand:

An emperor on horseback, Giulio
Romano

The slaughter of the Innocents, Bor-
gognone

A sketch

Our Saviour's Resurrection
A head, Fred. Zucchero

Story of Ericthonius, Salvator Rosa
On each side are figures at full length,
Parmegiano

The Sybils, Raphael

A sketch on each side, Castiglione
St. Peter, Caravaggio

A Madona and Child, with St. John,
Paduanino

St. Sebastian, Guido

The vision of Constantine, A copy

from Raphael's picture in the Va-
tican, Giulio Romano

The binding of the crown of thorns
on the head of our Saviour
A head, Castiglione

Two heads of St. Andrew and St.
Paul, in one picture, Andrea Sacchi
Diana and her nymphs bathing, with
the story of Acteon

A sketch

A head of Christ with the crown of thorns

Cupid shaving his bow

On each side, two figures at full
length, Parmegiano

A woman with a dove, representing
Simplicity, Francesco Furini

A sketch, representing the resurrec-A
tion, young Palma

Diana and Actæon, Nic. del Abbate
A Medusa's head, Rubens
St. Catharine, Vettori Carpaccio
A large head, Pietro della Vecchia
The heads of two Cherubs, Dome-
nichino

Our Saviour praying on the mount,
and his disciples asleep, Bassano
A portrait, Francesco Torbido
Our Saviour with his two disciples
at Emmaus, Lazarini

Rape of the Sabines, Andrea, Man-
tegna

A Descent from the Cross, Corregio
Holy Family, Schidone.

Two sketches of Jupiter and Juno,
Giulio Romano

A small head of a Child, Leonardo.
da Vinci

Solomon and the Queen of Sheba, in chiaro oscuro, Paolo Veronese

A small head of a Woman, Leonardo
da Vinci

Apollo and Marsyas, Midas sitting in
judgment, Andrea Schiavone
An Italian Buffoon drinking, Anni
Dal Caracci

The sketch of a capital picture pre-
served in a church at Venice. It
represents the Virgin, with St. Peter
and St. Francis, and a Venetian
General of the Capello family, who,
returning victorious from a battle
against the Turks, offers the stand-
ard and trophies of his victory at
the altar of the Virgin. The whole
Capello family is included in this
picture. Titian.

Two sketches, representing Cybele
and Neptune, Giulio Romano
A small sketch of the Circumcision,
Correggio

An assembly of the Gods

A small figure of Ceres

Four portraits, with a book of music before them, Titian

dead Christ fore-shortened, Ludo-
vico Caracci

Two heads in one picture, Murillo +
A sketch of a man on horseback,
Vandyke

Second Compartment. East side,
on the left hand.

Rebecca at the well, and Abrahara's servant presenting her with bracelets, Guido.

A head,

The dying Magdalene, Domenichino
A head.

The figure of St. Catharine, with one
hand upon the wheel, Salviati.
A small Madona and Child
A sketch representing a saint ready
to suffer martyrdom, Vandyke
A holy family
A Cleopatra
St. Peter

Our Saviour, Titian
A small landscape, Mola

A Bacchanalian piece, with Silenus
A sketch, Salvator Rosa
A drawing of Moses striking the
rock, Benvenuto Garofalo
A Madona and child, with St. John
The portrait of a woman
A figure playing upon the violin
A small picture of soldiers and wo-

men

The Good Samaritan, Pisto Bada-
locchi
A drawing

Rinaldo and Armida, a sketch
Faith giving her sword to a General,
Pierino Del Vaga

The brazen age
Rachael weeping, Raphael
A head of Diana, Domenichino
A small sketch, Ciro Ferri
Jupiter and Juno

A sketch, Titian

Some philosophers with a globe, old
Palma

A "Noli me tangere," Pietro Perugino

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