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Contentment, 58

trations of:-

II. Indestructibility of Matter, 13

III. Divisibility of Matter, 55

IV. Heat, Temperature, Radiation,

Conduction, 95

V. Heat, &c. continued, 118

VI. Heat, Expansion, 245

Fable of the Tortoise, Frog, and
Duck, 79

the North Wind, the Sun,
and the Traveller, 143

the Caterpillar, Chrysalis,

and Butterfly, 179

the Swan and Donkey, 196

Fairy Rings, 200
Falls of Niagara, destruction of an
Indian and his canoe at the, 111
Fidelity, remarkable instance of, in a
Negro servant, 158

Fire, Water, and Fame, an apologue,

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230

XIII. Water, in its solid state, 149

XIV. Water in a fluid state, 236
Nature and Art, the works of, com-
pared, 112

Nature, remarks on, by Sir Humphry

Davy, 150

Navigation, Commerce, and Discovery,

History of; Part I, 22; Part II.,

43; Part III, 173

Needle-making, art of, when intro-

duced into England, 77

Needle Rocks, the, 172

Nelson, Horatio, Lord, biographical
notice of, 157

North Cape, account of, 47
Notes from a Traveller's Scrap-book, 29
Nothing, Sonnet on, by Porson, 62

Oaks, remarks on planting of, by Lord
Collingwood, 14

Observation, remark on by Bacon, 197

Ocean, lines on, 67

Ore, mode of working, in Mines, 223

Orleans, the Cathedral of, 138

Our Country and our Home, lines on,

191

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Religion, its importance, 90

influence of, 132

its use in alleviating human
misery, 197

Resurrection, remark on, by Sir T.
Browne, 71

Retirement, advantages of, 31
Revelation, its truth confirmed, 176
Rheims Cathedral, History and De-
scription of, 2

Rhinwald, Valley of, described, 29
Riches and Contentment, remark on,
138

remark on, by Bacon, 44
Rumours, the art of spreading, 143

Sabbath, Lines on the, by C. Crocker,
199

Salamanca, the Victory of, 5
Salisbury Cathedral, history and de-
scription of, 154

Lines on the Poor

Blind Man of, by the Rev. W. L.
Bowles, 156

Sancroft, Archbishop, his opinion of
worldly glory, 44

Sandford, Bishop, extracts from, 67, 71
Sarcophagus, Alabaster, Lines ad-
dressed to, 11

Satan's Footsteps, 200
Scepticism, remarks on, 54
Scilly Islands, 243

Scotland, Highlands and Islands of,
80, 250

Scott, Sir Walter, extracts from, 82,
203

Scriptures, their beauty and impres-
siveness, 75

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St. Michael's Mount, Cornwall, 52
Steam-boat, anecdote concerning the
first in the West Indies, 14
Strasburgh Cathedral, 202

their beneficial influence, 115 | Strontian, smuggling at, 252

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69
Superstition, 200

Surat, Hospital for Animals at, 115
Swan and Donkey, Fable of the, 196
Talapát Palm of Ceylon, Description
of, 186

Talbot, Miss, remark by, 13
Taylor, Jeremy, remarks by, 11, 67,
102, 136,138
Temperance, remark on, 11
Temperance Societies, beneficial ef
fects of, 30

Temple, Sir W., aphorism of, 14
Tenby (in South Wales), description
of, 178

Teneriffe, Island of, 130
Thames and Medway Canal, account
of, 231

Thankfulness for Mercies, 132
There is a Tongue in every Leaf, 30
Tiger, curious anecdote of, 67
Time, Lines on, 181

-value of, 203

verses on, by Knox, 46
Tipula, Natural history of, 56

Tongue, restraint of, its necessity and
wisdom, 182

Tortoise, Frog, and Duck; a fable, 79
Toulouse, the Entry into, 207
Trade, Fluctuations of, 132
Truth, its indestructibility, 171
remark on, 203

and Prejudice, remark on,

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Walton, Izaak, extracts from, 54, 136
Warwick, St. Mary's Church and the
County Hall at, 188
Watch-making in Switzerland, 62
Water Lily, remarks on, 191
Waterspouts, 159

Wealth, remark on, Walton, 136
Wellington Shield, 5, 59, 141, 207

Dukedom of, conferred, 238
What is Time? an answer to, 203
Whirlwinds and Waterspouts, 159
White Owl, remarks on its habits, 120
Wight, the Isle of, No. III., 109; No.
IV., 172

Wild Ass of the Desert, 183
Wild Palm-tree, 146

Wills, Directions for making, 18, 78,
110, 221

the mode of revoking, 19
Wine-store, Spanish, 187
Words like Leaves, 208

Worldly Happiness, La Harpe on, 44
Writing, ancient mode of, 51

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Zeal, Christian, remark on, 115

Air Volcanoes of Turbaco, 72
Albatross, Wandering, 197
Antelope, Hart, and Hind, 248
Amiens Cathedral, France, 49
Architecture, illustrations of the Or-
ders of, 148

Armadillo, 35

Artillery-soldiers and War-machines
of the fifteenth century, 125
Ass, Wild, of the Desert, 184

Baldus preaching to the Natives of
Ceylon, 221

Benares, View of a Ghaut or Landing-
place at, 193

Black-Gang Chine, Isle of Wight, 103
Boar, Wild of, Germany, 80

Caernarvon Castle, North Wales, 65
Caraccas, Protestant Cemetery at, 152
Castle of Armadale, Isle of Sky, 256
Chichester Cathedral, 25

Cholula (in Mexico), Pyramid of, 176
Church, Primitive Christian, ground-
plan of, 198

Cliff, Mineral Vein in, and mode of
working, 77
Conisborough Castle, Yorkshire, 45
Cotton-manufacture, illustrations of,
100, 101

Plant, Cultivation of the, 68,
Cotton, Georgian mode of cleaning, 69
Croydon Palace, interior of its Hall, 64
Curfew, representation of, 8

Diagrams to illustrate Experiments on
the Temperature of Water, 104
Dover Castle, ancient Church in, 133
Egg, Scuir of, 88

Ethiopian Boar, head of, 80
Eve's Apple, or the Forbidden Fruit, 89
-, Fruit, and Flowers of, 96

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Inverlochy Castle and Ben Nevis, 253
Isfahan, General View of, 161

Private Palace in the Chahar
Bagh, 165
Front View of a Palace at.'168
Itinerant Musicians of India, 225

Lighthouse on the Scilly Islands, 242
Lisbon, Square of Little Pillar in, 217
Llandaff Cathedral, 113
Louvain, Town-hall and Church at, 17
Luminous Insects, 204, 205

Machine for separating the Cotton
Pods, 68

Man in the Iron Mask, 105
Madagascar, Natives of, 21
Melon Cactus, 36

Military Costume of Edward the Black
Prince, 121
tury, 128

of the fifteenth cen-

Mine, first shaft of, 76
Mining, diagram illustrative of its
operations, 180, 181

Natives of Madagascar preparing

Bread from the Manioc Root, 21
Needles, Isle of Wight, View of, 173
North Cape, View of, 48

Orleans Cathedral, in France, 137

Palm, wild, of the Desert, 145
Peak of Teneriffe, Crater of the, 136
Petersburgh, St., Marble Palace at, 209
New Exchange at, 213
Statue of Peter the Great

at, 214
-, English Quay at, 216
Polgooth Tin Mine, interior of, 224
Protestant Cemetery at Caraccas, 152

Reculver Church, 24

Rheims Cathedral, in France, 1
Rhinwald, Valley of the, 29

Salisbury Cathedral, 153
Sand-storm in the Desert of Sahara,

33

Scilly Islands, Lighthouse on, 242
Senlis Cathedral, 241

Sheep-eater of Hindoostan and his
Guru, 57
Sloane, Sir Hans, monument of, 12
Soldiers and Cannon of the fourteenth
and fifteenth centuries, 124
Sonah Wallah, or itinerant Goldsmith
of India, 169

Staffa, Isle of, 81

St. Dunstan's in the West, Fleet-
street, 97

St. Michael's Mount, Cornwall, 52

Chair, 53
Strasburgh Cathedral, 201

Talapát Palm of Ceylon, 185
Tartary, Inhabitants of, 40
Tellipally, Christian Church of, 220
Temperature, illustrations of an expe-
riment on, 119

Tenby (Pembrokeshire), View of, 177
Teneriffe, Island and Peak of, 129
Thibet, Yak of, 143

Town-hall, Louvain, 17

Tunnel of the Thames and Medway
Canal, 202

Tunny, mode of fishing for, 9

the common, and diagram of
the tonnaro, 19
Turbaco, Air Volcanoes of, 72

Vegetable Physiology, Illustrations of,
116, 117

Valley of the Rhinwald, in the Snowy
Alps, 29

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UNDER THE DIRECTION OF THE COMMITTEE OF GENERAL LITERATURE AND EDUCATION, APPOINTED BY THE SOCIETY FOR PROMOTING CHRISTIAN KNOWLEDGE.

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THE CATHEDRAL OF RHEIMS. REIMS, or Rheims, is a large and ancient city, in the north-east of the kingdom of France, in the department of the Marne. It is situated on the right bank of the little river Vesle, in the midst of a large plain, which is bounded at a distance by a chain of low vine-covered hills.

The Cathedral, which is more particularly the subject of our present notice, is a noble Gothic edifice of the twelfth century, and one of the finest specimens of that kind of architecture in France. It is said to have been founded in 818 by the Archbishop Ebon, afterwards Pope Eugenius the Fourth, in the reign of Louis the First, surnamed Le Débonnaire. The accounts which are given of the edifice then erected, its paintings and sculptures, its marbles and mosaics, its tapestries, and splendid windows, seem to indicate that it was of great importance. But doubts have been expressed, whether the early structure thus spoken of was really one occupying the site of the present Cathedral, and not the church of St. Remi. However, this building was burnt down in 1210, together with a portion of the city itself. But this disaster was soon repaired; for the age was one in which the people felt strongly the influence of religion, and contributed largely to works which had for their object its support and diffusion. Accordingly, the piety of individuals, the liberality of princes, and the zeal of the clergy, soon caused a sum to be amassed, sufficient to replace the ancient Cathedral of Rheims by a nobler and more splendid edifice; and the year after the destruction of the old building, the first stone of the new one was laid. The work proceeded with great rapidity; the altar was dedicated on the 18th of October, 1213, and twenty-seven years afterwards, the body of the church was finished; the whole time occupied in the erection being only thirty years, and but one architect being engaged throughout that period. It is to this circumstance, probably, that we are to attribute that unity of style and design which in a great measure distinguish this Cathedral.

"In the richness and magnificence of the external architecture," says Mr. Woods, "Rheims is superior to every other Cathedral I have seen, and probably to any which has ever been erected." The principal, or western front is the great object of attraction; it is frequently considered as the finest work of its kind in existence, and, according to a common saying in France, is one of the four parts, the union of which is necessary to the composition of a perfect Cathedral; the other three being the spire of Chartres, the nave of Amiens, and the choir of Beauvais. The lower part of this front is divided into three porches or doorways. This arrangement, which is to be seen in some of our Cathedrals, is very generally observable in the larger religious edifices of France; and we are told that these three entrances corresponded to three internal divisions, each of which was reserved for a special use; the middle one being for the clergy, that on the right for the men, and that on the left for the women.

The central porch is divided into two parts by a pilaster, (a disposition very common in France,) which is adorned by an image of the Virgin, to whom the Cathedral is consecrated. The sides of the three porches are decorated with a row of colossal statues, thirty-five in number, representing patriarchs, prophets, kings, bishops, virgins, and martyrs. The arches above and the pediments which surmount them, present an elaborate composition in sculpture, in which, according to a French writer, the artist has given full range to his genius. Our readers will

obtain a correct notion of the richness and magnificence of this front.

Above the porches, and a little thrown back, rises the remainder of this beautiful front. Above the central one, is the great rose window, the workmanship of which is remarkably rich, and very carefully executed. Over the right porch is a lofty opening for a window, but not filled with glass; and over the left door-way is a similar one. The space occupied by these windows is broken into three divisions, by four projecting piers, ornamented each with a statue, and terminating in small octagonal turrets. Higher still is the gallery of kings, an elegant colonnade, decorated with forty-two statues of the kings of France, from Clovis to Charles the Sixth; and this is surmounted by two towers, which complete this magnificent front.

The interior of this Cathedral corresponds with its exterior. It is vast and noble; and its appearance has much that is imposing. The obscurity of the nave, contrasted with the light of the aisles, has a very curious effect; in the former, the coloured glass has been preserved, while in the latter it has very little colour. The whole length of the building is 466 feet, and its breadth upwards of 90; the height of the nave is 121 feet, and that of the aisles about 54. The plan of the edifice is a Latin cross. The choir occupies nearly one half of its length.

The chancel, which is situated at the middle of the cross-aisle, raised upon several steps, is remarkable for its beautiful mosaic pavement, which formerly belonged to the church of the ancient Abbey of St. Nicaise, and was removed to the Cathedral in 1791, when that church was pulled down. The altar, which is of modern construction, is of variegated marble, and ornamented with gilt bronze. It is a beautiful piece of workmanship, and was the gift of a rich canon, who, by his economy, frugality, and above all, his peculiar skill in the cultivation of vines, was enabled to amass a considerable fortune, which he devoted entirely to the embellishment of this Cathedral, to the relief of the poor, and to the promotion of objects of a public nature. Unfortunately, the canon's liberality was scarcely equalled by his good taste and discernment; the old altar, which had existed from the earliest years of the church, was displaced in 1747, to make room for his new present, and the church was thus deprived of an extremely rare and valuable specimen of the kind of monuments used as altars in the twelfth, thirteenth, and fourteenth centuries.

Behind the choir, so called, is what the French denominate the arrière-chœur. It occupies the space usually devoted to the chancel, and does not seem to be ever used for any definite purpose. In former times, it was the depositary of the treasure of the Cathedral, of all the many rich and valuable gifts, which kings, prelates, and pious individuals of various classes and conditions, had offered as an earnest of their zeal and devotion. The immense wealth which was brought together in this treasury, rendered it one of the richest in France. It contained a vast number of works, executed in the precious metals, gold and silver vases, chalices, sets of all the various utensils employed in the service of the church, which were not less valuable for the richness of their materials than for the beauty and finish of the workmanship. Of nearly all these, however, the Cathedral was despoiled in 1791; they were confiscated by a decree of the National Assembly, and coined into money for the service of the State. The few that remained were destroyed during the revolutionary frenzy of 1793.

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