Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 83Gale Research Company, 1984 |
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Page 5
... Valentine to Julia - is not enough for Proteus ; the establishment of a new self for him seems actively to require the betrayal of friendship , hence to require Silvia , in order to establish himself in place of Valentine : " for ...
... Valentine to Julia - is not enough for Proteus ; the establishment of a new self for him seems actively to require the betrayal of friendship , hence to require Silvia , in order to establish himself in place of Valentine : " for ...
Page 23
... Valentine ' in his suddenly cooling love for him ( II , iv , 199-200 ) . It is only when Proteus's love begins to sicken and decay that his address degenerates from the sincerely effusive ' sweet ' Valentine to the enforced ceremony of ...
... Valentine ' in his suddenly cooling love for him ( II , iv , 199-200 ) . It is only when Proteus's love begins to sicken and decay that his address degenerates from the sincerely effusive ' sweet ' Valentine to the enforced ceremony of ...
Page 25
... Valentine should be clearly seen by the audience ( though not by ' Sebastian ' ) to be testing Proteus , would make the point of Proteus's renewal , though it endows Valentine with a percipience and strength that we have not seen ...
... Valentine should be clearly seen by the audience ( though not by ' Sebastian ' ) to be testing Proteus , would make the point of Proteus's renewal , though it endows Valentine with a percipience and strength that we have not seen ...
Contents
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Copyright | |
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abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York