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able appear arms army asked become believe better called carried cause character close comes course dear desire doubt effect English eyes face fact feel force France French German give Government hand head heard heart hope human idea interest Italy keep kind King Lady land least leave less light living look Lord matter means ment mind minister mother move Napoleon nature never object once party passed perhaps poor position possession present question reason road round seems seen side speak stand strong sure taken tell thing thought tion took Tozer true turned Vincent whole wonder young
Page 586 - To veer, how vain ! On, onward strain, Brave barks! In light, in darkness too, Through winds and tides one compass guides — To that, and your own selves, be true.
Page 10 - ... Give thy thoughts no tongue, Nor any unproportion'd thought his act. Be thou familiar, but by no means vulgar. Those friends thou hast, and their adoption tried, Grapple them to thy soul with hoops of steel, But do not dull thy palm with entertainment Of each new-hatch'd, unfledged comrade. Beware Of entrance to a quarrel, but being in, Bear't that the opposed may beware of thee.
Page 101 - In those days was Hezekiah sick unto death. And the prophet Isaiah the son of Amoz came to him, and said unto him, Thus saith the Lord, Set thine house in order; for thou shalt die, and not live.
Page 576 - How often sit I, poring o'er My strange distorted youth, Seeking in vain, in all my store, One feeling based on truth; Amid the maze of petty life A clue whereby to move, A spot whereon in toil and strife To dare to rest and love. So constant as my heart would be, So fickle as it must, 'Twere well for others as for me 'Twere dry as summer dust.
Page 94 - My father held his hand upon his face ; I, blinded with my tears, " Still strove to speak : my voice was thick with sighs As in a dream. Dimly I could descry The stern black-bearded kings with wolfish eyes, Waiting to see me die. " The high masts flicker'd as they lay afloat ; The crowds, the temples, waver'd, and the shore ; The bright death quiver'd at the victim's throat ; Touch'd; and I knew no more.
Page 353 - It ought, in my opinion, to be indispensably observed, that the masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish- white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and for this purpose, a small proportion of cold colours will be sufficient.
Page 586 - E'en so — but why the tale reveal Of those whom, year by year unchanged, Brief absence joined anew to feel, Astounded, soul from soul estranged. At dead of night their sails were filled...
Page 352 - The likeness of a portrait, as I have formerly observed, consists more in preserving the general effect of the countenance, than in the most minute finishing of the features, or any of the particular parts.
Page 80 - But I have sinuous shells of pearly hue Within, and they that lustre have imbibed In the sun's palace-porch, where when unyoked His chariot-wheel stands midway in the wave: Shake one and it awakens, then apply Its polisht lips to your attentive ear, And it remembers its august abodes, And murmurs as the ocean murmurs there.
Page 69 - ... the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination ; and expressing the course of the world, in which the loss of one is the gain of another; in which, at the same time, the reveller is hasting to his wine, and the mourner burying his friend...