Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 35
... seems likely that when the three are first seen on their way to the forest , Armin as Touch- stone would be dressed for the first time in a long motley coat like those worn by Jack Oates , yellow or else green . Certainly Jacques seems ...
... seems likely that when the three are first seen on their way to the forest , Armin as Touch- stone would be dressed for the first time in a long motley coat like those worn by Jack Oates , yellow or else green . Certainly Jacques seems ...
Page 54
... seems arranged to ' feed ' Dogberry / Kemp and , moreover , seems deliberately to be leading up to giving him the opportunity for the last solo speech of the scene - ending with ' O that I had been writ down an ass ' . In truth , we get ...
... seems arranged to ' feed ' Dogberry / Kemp and , moreover , seems deliberately to be leading up to giving him the opportunity for the last solo speech of the scene - ending with ' O that I had been writ down an ass ' . In truth , we get ...
Page 55
... seems to beg for our laughter at his quips about the Vapians and impeticosing gratillity . Our response is so often ner- vous not only because we recognize the difficulty the actor has in inducing comic responses from what seems ...
... seems to beg for our laughter at his quips about the Vapians and impeticosing gratillity . Our response is so often ner- vous not only because we recognize the difficulty the actor has in inducing comic responses from what seems ...
Contents
Shakespeares Clowns and Fools | 1 |
As You Like | 87 |
King Lear | 176 |
Copyright | |
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action actor Arden Armin audience Audrey aware boy actor Celia Cesario characters clown comedy comic convention Cordelia court critics daughters death desire disguise dramatic Duke Senior Edgar Edmund Elizabethan essay date Falstaff father feel Feste Feste's final folly Fool's Forest of Arden Ganymede gender Gentlemen of Verona Gloucester Gloucester's Goneril Goneril and Regan Hamlet homoerotic human Illyria Jaques jester joke justice Kent kind King Lear lady Lear's Fool lines London lover male Malvolio Maria marriage marry meaning motley nature never Olivia Orlando Orsino Parolles play's Renaissance Robert Armin role Rosalind says scene Sebastian seems sense servant sexual Shake Shakespeare Sir Toby social society song speak speare speare's speech stage suggests tell Theatre thee things thou tion Touchstone Touchstone's traditional tragedy tragic truth Twelfth Night Videbæk Viola William Shakespeare wise woman women words