Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 119
... disguises . " But how will the clown ( Stone ) disguise himself ? This is kept from us . My belief is that he dons innocent's motley as a disguise . We see him in it for the first time in the forest . The stage direction for their next ...
... disguises . " But how will the clown ( Stone ) disguise himself ? This is kept from us . My belief is that he dons innocent's motley as a disguise . We see him in it for the first time in the forest . The stage direction for their next ...
Page 134
... Disguise At this point the discussion becomes more convoluted . When Rosalind disguises she compounds the fact that all acting is performance anyway , with the further complication that in our day Rosalind is normally played by a woman ...
... Disguise At this point the discussion becomes more convoluted . When Rosalind disguises she compounds the fact that all acting is performance anyway , with the further complication that in our day Rosalind is normally played by a woman ...
Page 135
... disguise , as concealment , is essential . The fourth does not need concealment , although it is nor- mally likely , and the third positively demands display as a protest against female suppression . So , if Rosalind is disguising her ...
... disguise , as concealment , is essential . The fourth does not need concealment , although it is nor- mally likely , and the third positively demands display as a protest against female suppression . So , if Rosalind is disguising her ...
Contents
Shakespeares Clowns and Fools | 1 |
As You Like | 87 |
King Lear | 176 |
Copyright | |
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Common terms and phrases
action actor Arden Armin audience Audrey aware boy actor Celia Cesario characters clown comedy comic convention Cordelia court critics daughters death desire disguise dramatic Duke Senior Edgar Edmund Elizabethan essay date Falstaff father feel Feste Feste's final folly Fool's Forest of Arden Ganymede gender Gentlemen of Verona Gloucester Gloucester's Goneril Goneril and Regan Hamlet homoerotic human Illyria Jaques jester joke justice Kent kind King Lear lady Lear's Fool lines London lover male Malvolio Maria marriage marry meaning motley nature never Olivia Orlando Orsino Parolles play's Renaissance Robert Armin role Rosalind says scene Sebastian seems sense servant sexual Shake Shakespeare Sir Toby social society song speak speare speare's speech stage suggests tell Theatre thee things thou tion Touchstone Touchstone's traditional tragedy tragic truth Twelfth Night Videbæk Viola William Shakespeare wise woman women words