Shakespearean CriticismThis detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
From inside the book
Results 1-3 of 80
Page 62
... present context because all three men are then enlisted in an attempt to silence the two women and the Bastard ( here cast as a professional fool ) . 37. Honigmann , in his Arden edition , p . 171 , points out that Arthur in ...
... present context because all three men are then enlisted in an attempt to silence the two women and the Bastard ( here cast as a professional fool ) . 37. Honigmann , in his Arden edition , p . 171 , points out that Arthur in ...
Page 311
... present , Hermione present , Polixenes present , are excellent statues mimicking life excellently well , applying various faces to meet the faces that they meet , but living in the past . Leon- tes and Polixenes live in the reflected ...
... present , Hermione present , Polixenes present , are excellent statues mimicking life excellently well , applying various faces to meet the faces that they meet , but living in the past . Leon- tes and Polixenes live in the reflected ...
Page 313
... present affairs has little or no meaning . That is why Hermione's question- ing about their childhood friendship so successfully breaks down the negative barrier of the present and focusses at- tention on the positive past - the ...
... present affairs has little or no meaning . That is why Hermione's question- ing about their childhood friendship so successfully breaks down the negative barrier of the present and focusses at- tention on the positive past - the ...
Contents
King John | 1 |
Character Studies | 38 |
Production Reviews | 62 |
Copyright | |
10 other sections not shown
Other editions - View all
Common terms and phrases
action Antigonus argues Arthur audience Autolycus Bastard becomes blood Brabantio Camillo Cassio character Christian claim Claudius comedy Constance critics cultural death demona Desdemona desire discourse dramatic Eleanor Elizabethan Emilia England English Erinyes essay father Faulconbridge Florizel ghost Hamlet handkerchief hath heaven Henry Hermione Hermione's Hieronimo human husband Iago Iago's innocence John's kill King John Laertes language Lavinia Leontes London lord Macbeth madness male Mamillius marriage means ment metaphor misogyny moral mother motif murder nature Othello Pandulph passion Paulina Perdita Philip play's plot political Polixenes present Press Prince Prospero relationship Renaissance response revenge play revenge tragedy rhetoric Richard Richard III role says scene sense sexual Shake Shakespeare Shakespeare's play Spanish Tragedy speak speare speare's speech stage suggests Tamora Tempest theatrical thee thou tion Titus Andronicus tragic Troublesome Raigne truth Univ vengeance Venice wife Winter's Tale woman women words