Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 41
... produced by working with and playing on convention than by engaging with in- dividualised characters in which we can see mirror images of ourselves without perceiving the conven- tions through which that knowledge is produced . GENDER ...
... produced by working with and playing on convention than by engaging with in- dividualised characters in which we can see mirror images of ourselves without perceiving the conven- tions through which that knowledge is produced . GENDER ...
Page 48
... produced and re - produced as the subject occupies a series of places in the signify- ing system , takes on the multiplicity of meanings lan- guage offers . Kristeva's third possibility proposes the internalization of ' the founding ...
... produced and re - produced as the subject occupies a series of places in the signify- ing system , takes on the multiplicity of meanings lan- guage offers . Kristeva's third possibility proposes the internalization of ' the founding ...
Page 125
... produced in a specific way by the Shakespearean text and is different from that produced in other versions of the story . The representation of patriarchal misogyny is most obvious in the treatment of Goneril and Regan . In the ...
... produced in a specific way by the Shakespearean text and is different from that produced in other versions of the story . The representation of patriarchal misogyny is most obvious in the treatment of Goneril and Regan . In the ...
Contents
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Copyright | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young