Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 171
... plot proceeds , or by some characters voluntarily creating deceptions that impel the plot and demonstrate the importance of dis- tinguishing appearance from reality , Elliot Krieger ( 1979 ) has maintained , " Much Ado about Nothing ...
... plot proceeds , or by some characters voluntarily creating deceptions that impel the plot and demonstrate the importance of dis- tinguishing appearance from reality , Elliot Krieger ( 1979 ) has maintained , " Much Ado about Nothing ...
Page 185
... plot . This is the position of M. C. Brad- brook [ Shakespeare and Elizabethan Poetry , 1964 ] , also a believer in ' two plots ' plus ' straight comic relief . But John Wain [ The Living World of Shakespeare , 1964 ] , while seeing the ...
... plot . This is the position of M. C. Brad- brook [ Shakespeare and Elizabethan Poetry , 1964 ] , also a believer in ' two plots ' plus ' straight comic relief . But John Wain [ The Living World of Shakespeare , 1964 ] , while seeing the ...
Page 191
... plot proceeds , that misperception rectifies itself ( e.g. Comedy of Errors , Twelfth Night , Midsummer Night's Dream ) ; or ( 2 ) some characters voluntarily create deceptions that impel the plot , initially by deceiving other charac ...
... plot proceeds , that misperception rectifies itself ( e.g. Comedy of Errors , Twelfth Night , Midsummer Night's Dream ) ; or ( 2 ) some characters voluntarily create deceptions that impel the plot , initially by deceiving other charac ...
Contents
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Copyright | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young