Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 70
Michael Magoulias. and social distinctions between male and non - male characterize contemporary cultures as well as Shake- speare's . The actor who wants to play Shakespeare's female characters without playing parts scripted by a ...
Michael Magoulias. and social distinctions between male and non - male characterize contemporary cultures as well as Shake- speare's . The actor who wants to play Shakespeare's female characters without playing parts scripted by a ...
Page 137
... male - male relationships are less important in King Lear than male- female relationships . ] King Lear elaborates further the dramatic possibilities of the two extreme versions of women between which Othello shuttles . The opening ...
... male - male relationships are less important in King Lear than male- female relationships . ] King Lear elaborates further the dramatic possibilities of the two extreme versions of women between which Othello shuttles . The opening ...
Page 316
... male roles at about the time . their apprenticeships ended . Ezekiel Fenn was evident- ly nineteen when he played his first adult male role . It is not exactly clear just when female roles became the exclusive speciality of apprentices ...
... male roles at about the time . their apprenticeships ended . Ezekiel Fenn was evident- ly nineteen when he played his first adult male role . It is not exactly clear just when female roles became the exclusive speciality of apprentices ...
Contents
Women in Shakespeare | 1 |
King Lear | 75 |
The Taming of the Shrew | 260 |
Copyright | |
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action actor androgyny Antony Antony and Cleopatra appear audience Beatrice and Benedick Beatrice's Benedick Benedick and Beatrice Bianca boy-actress chio Claudio Cleopatra comedies comic conventional Cordelia Coriolanus critics Cymbeline daugh daughters death disguise Dogberry Don John Don Pedro dramatic Edmund Elizabethan English essay date fantasy father female characters feminine feminism feminist gender Goneril hath Hero Hero's heroines husband ideal joke Kate Kate's kind King Lear language Lear's Leonato lord Love's Love's Labour's Lost lover Lucentio Macbeth male marriage married masculine mother nature obedience Othello patriarchal performance Petruchio play's plot Portia problem comedies Regan Renaissance role romance Rosalind scene seems sense sexual Shake Shakespeare Shakespeare's plays Shrew Sinead Cusack social speak speare's speech stage suggests Taming theatrical thee theme thou tion tragedy Twelfth Night Viola Volumnia wedding wife woman women wooing words young